Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
When a Russian mobster orchestrates a crooked land deal, millions of dollars are up for grabs, drawing in the entire London underworld into a feeding frenzy at a time when the old criminal regime is losing turf to a wealthy foreign mob.
Adventurer James Keziah Delaney returns to London during the War of 1812 to rebuild his late father's shipping empire. However, both the government and his biggest competitor want his inheritance at any cost - even murder.
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision course with his estranged, older brother.
The true story of London's most notorious gangsters, twins Reggie and Ronnie Kray. As the brothers rise through the criminal underworld, Ronnie advances the family business with violence and intimidation while Reggie struggles to go legitimate for local girl Frances Shea. In and out of prison, Ronnie's unpredictable tendencies and the slow disintegration of Reggie's marriage threaten to bring the brothers' empire tumbling to the ground.
When Reggie picks up Frances for their first date, he shows her into the right side of the car. The UK drives on the left, so passengers usually sit on the left side. However, Reggie's car is a American car with left-hand drive. See more »
London in the 1960s. Everyone had a story about the Krays. You could walk into any pub to hear a lie or two about them. But I was there and Im not careless with the truth. They were brothers, but bound by more than blood. They were twins as well, counterparts. Gangster princes of the city they meant to conquer. Ron Kray was a one-man London mob. Bloodthirsty, illogical, and funny as well. My Reggie was different. Once in a lifetime do you find a street-fighting man like Reg. ...
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"This motion picture used sustainability strategies to reduce its carbon emissions and environmental impact." See more »
It is true that glasses and change of hairdo can actually produce a different personality. This movie is mostly dedicated to Tom Hardy delivering his excellent, albeit slightly and funnily schizophrenic, acting prowess. As far as biopic goes, other films such as Black Mass delivers a more in depth-look of the mafia life style, but Legend opts for a direct personal view of the brothers and takes full advantage of the lead actor.
Tom Hardy plays as both Ron and Reggie Kray, performed with a tweak of facial expression and mild change on make-up. Reggie is the more levelheaded one while Ron can be described as batcrap insane. They are both capable of violence and living a shared gangster life. The events are told by narration from Frances (Emily Browning), Reggie's love interest and a silent witness to the horrible dealings.
The movie's strongest point is undoubtedly the lead, it is not often that this "one actor two roles" is used in cinema recently. Tom Hardy delivers everything expected from him, from the subtle or strong expression, change of speech and mannerism to intricate body language of different characters. Viewers know the twin scene is done by effect, yet they often look like two different persons interacting with each other.
It dabbles in less criminal activities and more in private life, evident by using Frances a key point for developments even though she is mostly there as spectator, especially when mafia dealings are concerned. Emily Browning is a good addition, she handles her own well, but it's not the level of outlandish on-screen presence like the Krays.
While there is a definite involvement of crime thriller aspect, it doesn't portray the shady indulgent in its entirety. It's not the intricate inside view like that of American Hustle. There are few violent scenes, although the movie is not a noir gritty musing and some of the events could be done more thoroughly.
Tom Hardy has done some interesting roles, but none arguably had this level of complexity. Legend further cemented his acting signature on the silver screen, it may not be an in-depth take of criminal enterprise, but he alone, or two of him, is enough to carry the movie.
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