Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged-out rock 'n' roller presumed to be dead but very much alive -- has a multi-million-dollar prize fall into... See full summary »
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision course with his estranged, older brother.
The true story of London's most notorious gangsters, twins Reggie and Ronnie Kray. As the brothers rise through the criminal underworld, Ronnie advances the family business with violence and intimidation while Reggie struggles to go legitimate for local girl Frances Shea. In and out of prison, Ronnie's unpredictable tendencies and the slow disintegration of Reggie's marriage threaten to bring the brothers' empire tumbling to the ground.
The Blind Beggar pub featured in the movie is actually The Royal Oak on Columbia Road in London. The pub has featured in many British TV programs. It was the same pub used in '90s sitcom Goodnight Sweetheart (1993) and was also the scene for Victor Meldrew's failed reunion with friends in One Foot in the Grave (1990). See more »
During the fight in the club between Reggie and Ron: When Ron throws the bottle at Reggie, the bottle flies past Reggie and strikes a woman in a gold dress. The bottle shatters into hundreds of pieces, which a real bottle would never do unless it hit something solid like a concrete floor or wall. The bottle is obviously a prop bottle as it completely shatters simply by hitting a soft human torso. See more »
London in the 1960s. Everyone had a story about the Krays. You could walk into any pub to hear a lie or two about them. But I was there and Im not careless with the truth. They were brothers, but bound by more than blood. They were twins as well, counterparts. Gangster princes of the city they meant to conquer. Ron Kray was a one-man London mob. Bloodthirsty, illogical, and funny as well. My Reggie was different. Once in a lifetime do you find a street-fighting man like Reg. ...
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"This motion picture used sustainability strategies to reduce its carbon emissions and environmental impact." See more »
Hardy excels in a dual role of some right historical bad 'uns
Tom Hardy is a strange fish as an actor. Famous for being almost incomprehensible in "The Dark Night Rises" and almost equally incomprehensible in his co-starring role in "The Revenant", it's sometimes really difficult to get a sense of his true abilities. Here in "Legend" he gets to show what he's made of . Twice! Hardy plays both roles in the story of Reggie and Ronnie Kray, the infamous gangsters who ruled across large parts of London in the 1960's.
The film tells the story of the rise of the duo, focusing in particular on the wooing by Reggie of Frances (Emily Browning), the local girl who fell in love with and then married the hoodlum. Reggie and Ronnie – whilst both undisputed 'bad uns' – were as different as chalk and cheese. Reggie was all for semi-legitimizing the business, running deals through his socialite-heavy clubs, and gaining higher-level cover by inveigling his way into control of political contacts such as Lord Boothby (a delightfully oily John Sessions).
In contrast, Ronnie was an out-and-out psychopath with a malfunctioning 'off' button and no button at all marked 'self-control'. An open homosexual – something far more shocking in the '60s than it is today – Ronnie was a medicated loose cannon that even Reggie had trouble controlling. Gathering a posse of 'boys' around him (including Kingsman's Taron Egerton) Ronnie blazes a trail of bloody violence against rival gangs with little regard to the consequences.
On the side of the law was Nipper Read ("Dr Who" re-booter Christopher Ecclestone) as the dogged detective trying to find something – anything – to pin on the brothers.
Hardy manages to convey each brothers' idiosyncrasies so well that you quickly forget that this is the same actor playing both roles. It is only in some of the more interactive scenes (such as a fight between the two of them) that the illusion fails apart somewhat and where acting twins would have made for more convincing footage (unfortunately Jedward were unavailable!).
What makes Hardy's performance as Reggie particularly memorable is that for much of the film - and against your better judgment - you end up rooting for Reggie and wishing him to 'succeed'. (This is more by way of comparison against Ronnie's truly abhorrent behavior than against any absolute measure of 'good').
Browning is also compelling as the love-lost Frances, getting deeper and deeper into a world she has no control over and having to act to extremes of both love and fear. Also worthy of mention is the portrayal by David Thewlis (Lupin from the Potter films) of the Kray's financial adviser Leslie Payne: a man who knows he has the financial respect of the twins (at least Reggie) but is always sailing a dangerous course between kowtowing to them and criticizing their actions.
Written and directed by Brian Helgeland ("Payback"), this is an intelligent British thriller, reflecting a visceral view of the criminal underworld of London in the '60's. Overall, its an enjoyable watch that perhaps - Hardy aside - doesn't quite live up to its potential. A note however for the sensitive viewer: this is a very (very) violent film in places, and a couple of the scenes in particular are hard to watch.
(Please visit bob-the-movie-man.com for the graphical version of this review. Thanks.)
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