Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.
Director:
M. Night Shyamalan
Stars:
Paul Giamatti,
Bryce Dallas Howard,
Jeffrey Wright
Three girls are kidnapped by a man with a diagnosed 23 distinct personalities. They must try to escape before the apparent emergence of a frightful new 24th.
Director:
M. Night Shyamalan
Stars:
James McAvoy,
Anya Taylor-Joy,
Haley Lu Richardson
Washed-up true-crime writer Ellison Oswalt finds a box of super 8 home movies which suggest the murder he's currently researching is the work of a serial killer whose work dates back to the 1960s.
Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.
Director:
David F. Sandberg
Stars:
Teresa Palmer,
Gabriel Bateman,
Maria Bello
A father and son, both coroners, are pulled into a complex mystery while attempting to identify the body of a young woman, who was apparently harboring dark secrets.
A deaf and mute writer who retreated into the woods to live a solitary life must fight for her life in silence when a masked killer appears at her window.
Director:
Mike Flanagan
Stars:
John Gallagher Jr.,
Kate Siegel,
Michael Trucco
An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
Two children spend a week at their grandparents' house while their single mom goes on a relaxing vacation with her boyfriend. Becca decides to film a documentary about her grandparents to help her mom reconnect with her parents, and to find out some things about her parents as well. While filming, Becca and her little brother Tyler discover a dark secret about their grandparents.
This is the first feature horror film by director M. Night Shyamalan to not include longtime collaborator and signature composer James Newton Howard. Due to the lack of a full budget and the found-footage style of the film, Shyamalan decided a "film score" would not fit the final product. See more »
Goofs
When the children depart from Philadelphia's 30th Street Station the mother runs along the train as the train leaves the station. For many years, non-passengers have not been allowed into the train departure area. See more »
Quotes
[first lines]
Mom:
At the end of high school, I fell in love with a substitute English teacher. It was quite a scandal. Corin didn't start out a bad guy, though. We were together about 10 years and we had two kids. And then he fell in love with someone in a Starbucks, and moved to Palo Alto, California. Kind of severed relations with the three of us. My parents, if I were defending them, which I'm not, had said, back in the day, that he had an "impatient eye."They didn't like him. Week I left, things...
[...] See more »
Alternate Versions
In the FX broadcast, to keep the TV-14 rating, the defecation featured in the movie are censored. In addition, two scenes involving nudity is blurred out. See more »
L'Elisir d'amore, Act 2: Una furtiva lagrima
Written by Gaetano Donizetti
Performed by Enrico Caruso
Courtesy of Warner Classic Ltd
By arrangement with Warner Music Group Film & TV Licensing See more »
The big question on people's mind seems to be, is The Visit a return to form for the once promising director, M. Night Shyamalan. The answer is yes and no. While the film is leaps and bounds better than his last 4 previous efforts which include: the dreadful After Earth, the boring Last Airbender, the inane The Happening and the disappointing Lady in the Water, it fails to be anything more than another entry in a long list of horror found footage films. Yes, M. Night Shyamalan has fallen far my friends, so much that just his name on the screen invokes laughter and groans from the audience. He has to fall back and rely on an overused horror genre to bring some sort of credit to his tarnished legacy.
His entry into the found footage genre is The Visit. What Jaws did for the water, The Visit might do for old people. When a mother of two young kids is contacted by her estranged parents, asking to finally see their grandkids, she decides to let her kids go live with their grandparents for the week, while she goes away on vacation. The kids are so excited that the film loving daughter decides to make a documentary about it. Bringing her trusted camera along for the ride, she captures some odd footage from her grandparents and weirder and weirder things start happening after 9:30. So we have to ask ourselves, what's wrong with NaNa and Pop Pop???
The one thing this film does right is something that Shyamalan seems to do well or at least use to, is create a terrific atmosphere. The old home has just enough corners here and there to raise the tension, to make us as ourselves, "What's behind the corner over there?" Having the film be a found footage picture, gives Shyamalan more control over the camera. He can choose what to reveal and when is trickier ways which put the characters in a bit more danger. One terrific sequence where Shyamalan is really at his best is when the kids decide to play Hide and Seek under the house. You expect the unexpected and Shyamalan delivers probably the best scene he's done in years.
The grandparents are excellent; they convey just the right amount of oddness and sympathy. Each scene that they have alone with the kids is when they try to explain away the weirdness of the other. NaNa describes why Pop Pop does the things he does and vice versa. It was an interesting dynamic between the characters that immediately tells you that they are hiding something. Unfortunately, the same can't really be said about the children. Two unbelievable kids, which means I did not believe anything they did was genuine. Whether it is rapping, yes the kid raps a lot, or the cinematic dialogue the girl uses. Nothing they said or did ring true to me, which took me out of the experience.
The Visit is creepy enough to warrant a watch for those that love the found footage films. It's shot in a way that doesn't lead to vertigo or nausea. You finally have a film where you get to see everything that happens on the screen, which was a nice change of pace. Shyamalan might not be back in the good graces of people, but The Visit is a decent start.
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The big question on people's mind seems to be, is The Visit a return to form for the once promising director, M. Night Shyamalan. The answer is yes and no. While the film is leaps and bounds better than his last 4 previous efforts which include: the dreadful After Earth, the boring Last Airbender, the inane The Happening and the disappointing Lady in the Water, it fails to be anything more than another entry in a long list of horror found footage films. Yes, M. Night Shyamalan has fallen far my friends, so much that just his name on the screen invokes laughter and groans from the audience. He has to fall back and rely on an overused horror genre to bring some sort of credit to his tarnished legacy.
His entry into the found footage genre is The Visit. What Jaws did for the water, The Visit might do for old people. When a mother of two young kids is contacted by her estranged parents, asking to finally see their grandkids, she decides to let her kids go live with their grandparents for the week, while she goes away on vacation. The kids are so excited that the film loving daughter decides to make a documentary about it. Bringing her trusted camera along for the ride, she captures some odd footage from her grandparents and weirder and weirder things start happening after 9:30. So we have to ask ourselves, what's wrong with NaNa and Pop Pop???
The one thing this film does right is something that Shyamalan seems to do well or at least use to, is create a terrific atmosphere. The old home has just enough corners here and there to raise the tension, to make us as ourselves, "What's behind the corner over there?" Having the film be a found footage picture, gives Shyamalan more control over the camera. He can choose what to reveal and when is trickier ways which put the characters in a bit more danger. One terrific sequence where Shyamalan is really at his best is when the kids decide to play Hide and Seek under the house. You expect the unexpected and Shyamalan delivers probably the best scene he's done in years.
The grandparents are excellent; they convey just the right amount of oddness and sympathy. Each scene that they have alone with the kids is when they try to explain away the weirdness of the other. NaNa describes why Pop Pop does the things he does and vice versa. It was an interesting dynamic between the characters that immediately tells you that they are hiding something. Unfortunately, the same can't really be said about the children. Two unbelievable kids, which means I did not believe anything they did was genuine. Whether it is rapping, yes the kid raps a lot, or the cinematic dialogue the girl uses. Nothing they said or did ring true to me, which took me out of the experience.
The Visit is creepy enough to warrant a watch for those that love the found footage films. It's shot in a way that doesn't lead to vertigo or nausea. You finally have a film where you get to see everything that happens on the screen, which was a nice change of pace. Shyamalan might not be back in the good graces of people, but The Visit is a decent start.