Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.
M. Night Shyamalan
Bryce Dallas Howard,
An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
Two children spend a week at their grandparents' house while their single mom goes on a relaxing vacation with her boyfriend. Becca decides to film a documentary about her grandparents to help her mom reconnect with her parents, and to find out some things about her parents as well. While filming, Becca and her little brother Tyler discover a dark secret about their grandparents.
While the children are seen riding in an Amtrak intercity Amfleet coach leaving westbound from 30th Street Station (either "Keystone Service" which goes as far as Harrisburg or "The Pennsylvanian" which goes to Pittsburgh), the coach they get off of at the Amtrak station at the fictional "Masonville, PA" is a Southeast Pennsylvania Transportation Authority (SEPTA) "Silverliner IV" regional rail EMU commuter car. SEPTA only provides service over Amtrak's "Keystone Corridor" grade west of Philadelphia as far as Thorndale (MP 35.2). See more »
At the end of high school, I fell in love with a substitute English teacher. It was quite a scandal. Corin didn't start out a bad guy, though. We were together about 10 years and we had two kids. And then he fell in love with someone in a Starbucks, and moved to Palo Alto, California. Kind of severed relations with the three of us. My parents, if I were defending them, which I'm not, had said, back in the day, that he had an "impatient eye."They didn't like him. Week I left, things...
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In the FX broadcast, to keep the TV-14 rating, the defecation featured in the movie are censored. In addition, two scenes involving nudity is blurred out. See more »
Even though I've been severely burned by M. Night Shyamalan's commercial misfires (or rather miscarriages) like Lady in the Lake (ugh!), Airbender (what the hell was he thinking?) and After Earth, I decided to give him one more shot in the shape of The Visit. What worked in his favor was his superb work on the small screen in the form of the 2015 mini-series Wayward Pines - which made me believe that deep down inside Shyamlan's heart still resides a true artist, and not some lazy hack who tackles big-budget flops just to get paychecks from the studio. His recent talk in interviews about gaining back artistic control of his products was another positive step in Shyamalan's long path to cinematic forgiveness.
And so I entered The Visit, a somewhat short and intimate tale of two precocious teenagers, a brother (13) and sister (15), who travel cross country to meet and spend a week with their estranged grandparents, whom they have not seen or met since birth due to a big family feud their divorced mother (Kathryn Hahn, the most recognizable face in the cast) refuses to talk about. The sister, Becca (the promising Olivia DeJonge) also happens to be an aspiring filmmaker, out to make a documentary about the big reconciliation, which ever so conveniently sets the movie up in the popular found footage sub-horror genre - but also opens a wide crack for endless jokes and self-aware nods towards the unsuspecting audience.
Anyway, as you could probably tell by the previews, something isn't quite right with Poppa and Nanna, and even though at first they seem like reasonably nice elder folks, their strict rules (do not get out of the room after 21:30, do not go down to the basement) and strange manners (you'll see what I'm talking about) soon enough make it clear to both Becca and Tyler (the smaller brother portrayed by the superb Ed Oxenbould, who at 14 shows endless promise) that they better get the hell out of there - as fast as they could.
Besides the trademark Shyamalan twist, which actually works here and seems reasonable in hindsight (unlike, say, The Village), the extremely self-aware script and the very natural and authentic brother-sister relationship between both co-leads, lends further credence to Shyamlan's pet project. You can see that he cared for the characters, and you can also easily remember that this is a director who made a reputation for himself because he managed to facilitate such an emotional and iconic performance out of then-11-year-old Haley Joel Osment, so obviously he's good with kids. I don't know if young Ed Oxenbould is the next Osment, but he sure does deliver the goods through and through - and gives one of the best children/teen performances I've watched in a while.
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