I enjoyed the glimpse into Neil's backstage preparations. His swaying performance style when standing is becoming a signature.
The film was let down though by the position of a fixed camera close to his driver's knuckles, but probably the only available location if you really want both to be in frame. More challenging for me was the camera operator's desire, in most of the stand up performance sequences, to include the tops of background features (such as palm trees on distant hills) resulting in Neil being cut off at the ankles. Axiomatic, I would have thought, for stage shots to be full length.
