5.6/10
120
8 user 2 critic

Last Call at Murray's (2016)

Not Rated | | Comedy, Drama, Romance | 5 March 2016 (USA)
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Dwindling clientele and new smoking ordinances have forced veteran bar-owner Murray to make a tough decision: it's time to close the bar. However, Murray's hopes for a quiet closing are ... See full summary »

Director:

Linda Palmer
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8 wins & 9 nominations. See more awards »

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Cast

Credited cast:
Michael Gross ... Murray
John Savage ... Bennett
Paula Jai Parker ... Danice
Eileen Grubba ... Roxanne
Rachel Alig ... Dawn
Jerry Kernion ... Hutch
Elina Madison ... Autumn
Lars Slind ... Skip
Rachel Gage ... Emelisa
Eric Paul Erickson ... D.R.
Andres Perez-Molina ... Nando
Joe Hart ... Father Duffy
Shanna Malcolm ... Yolanda
Chris Pentzell ... Neil
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Storyline

Dwindling clientele and new smoking ordinances have forced veteran bar-owner Murray to make a tough decision: it's time to close the bar. However, Murray's hopes for a quiet closing are dashed when a freak blizzard whips through, stranding a host of zany people all night. Between drinks and karaoke, alliances are formed, broken, and blown sky-high. A new life comes into the world, and an old one leaves. And when the plows finally arrive in the morning, no one goes home the same. Written by Brian Beatty & Betsy Morris

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Taglines:

Where happy hour last 'til dawn. See more »

Genres:

Comedy | Drama | Romance

Certificate:

Not Rated
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Details

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Official Facebook | Official site | See more »

Country:

USA

Language:

English

Release Date:

5 March 2016 (USA) See more »

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Runtime:

Color:

Color
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Soundtracks

Ignorant Pig
Written by Amy Hef, Doug Heffernan, Steve Giles
Performed by Amy Hef
Courtesy of Aelia Productions
Performed in film by Elina Madison
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User Reviews

 
A bit Hallmark-esque and chick-flick-ishs
20 November 2018 | by ginocox-206-336968See all my reviews

That Last Call At Murray's (2016) was directed and co-written by women should surprise nobody. The females, who comprise half the diverse cast if one includes a homosexual male with their numbers, lean strongly toward liberal feminist attitudes. The female characters reflect feminist views of the female population. None of the characters who appears onscreen is under thirty and all but one are a tad overweight. Two are mothers. By contrast, two of the male cast members are young and muscular. Two of the females get naked, but the camera avoids showing their bodies.

This is a female-centric universe, where everybody is safe within a sort of home, with all the world's troubles locked away outside. Women can be mean-spirited and vengeful, or controlling and insecure, but their actions are considered normal and acceptable. Women understand men and can psychoanalyze them at a glance. Older women are attractive to younger men, but older men who are attracted to younger women are disdained. Age, excess weight, emotional issues and children from prior relationships are no impediment to new romances. A woman who ends a relationship has no shortage of suitors eager to fill the gap in her life.

Beyond the feminist tilt, the plot is contrived with numerous coincidences and deus ex machina resolutions. Performances are good. Production values are more than adequate. It has its moments, but often seems like the way women want the world to be, not how it really is.


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