Jóhann Jóhannsson, the composer of the main theme and the music for season 1, was the first person from Iceland to win a Golden Globe. He won this for the composing of the music for The Theory of Everything. He composed the music for Trapped together with composer and cellist Hildur Guðnadóttir (who also plays the cello in the theme). Hildur Guðnadóttir has won the Golden Globe for film music in 2020 for the film Joker. See more »
Realistic and cold!
The murder drama set is an isolated small town is a well-worn trope, really just an extended version of the locked room mystery, or the country house killing. But when the small town is in northern Iceland, that's an unusually claustrophobic setting and 'Trapped' uses its location perfectly. When the winter storms come in, you feel cold just watching; when the thaw comes, it feels visibly warmer. The stunning scenery is also used to good effect, not least during the chilling opening credits. What I also liked about this story was that, although bad things were done, the motives (and competencies) of those involved are ultimately revealed to be fit to the scale of the world in which they have happened: the story doesn't ultimately depend on some deranged force of pure evil, or inter-galactic conspiracy. The sense of mutual hurt felt in a place where everybody knows everybody else, even if they sure don't all like one another, is also well conveyed. Perhaps there's just a little too much of taciturn people being gloomy in the dark for a perfect drama: it takes time to get to know the protagonists, although perhaps that's just the Icelandic way. Overall, it's very good, and makes one keen to return to Iceland, though probably I'll choose the summer season.
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