- Nominated for 1 Oscar. Another 21 wins & 61 nominations.
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Cast verified as complete
Charlotte Rampling | ... |
Kate Mercer
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Tom Courtenay | ... |
Geoff Mercer
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Geraldine James | ... |
Lena
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Dolly Wells | ... |
Sally
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David Sibley | ... |
George
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Sam Alexander | ... |
Chris The Postman
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Richard Cunningham | ... |
Mr Watkins
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Hannah Chalmers | ... |
Travel Agent
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Camille Ucan | ... |
Café Waitress
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Rufus Wright | ... |
Jake
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Rest of cast listed alphabetically: | |||
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Martin Atkinson | ... |
Smoking Chef (uncredited)
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Rachel Banham | ... |
Waitress (uncredited)
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Alexiane Cazenave | ... |
Katya (uncredited)
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Michelle Finch | ... |
Niece (uncredited)
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Paul Andrew Goldsmith | ... |
Brewery Security (uncredited)
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Peter Dean Jackson | ... |
Jarrolds Shopper (uncredited)
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Kevin Matadeen | ... |
Waiter (uncredited)
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James O'Mara | ... |
Street Charity Fundraiser (uncredited)
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Alexandra Riddleston-Barrett | ... |
Woman in Café (uncredited)
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Max Rudd | ... |
Maître d' (uncredited)
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Directed by
Andrew Haigh |
Written by
Andrew Haigh | ... | (written by) |
David Constantine | ... | (short story "In Another Country") |
Produced by
Chris Collins | ... | executive producer (as Christopher Collins) |
Rachel Dargavel | ... | line producer |
Louisa Dent | ... | executive producer |
Lizzie Francke | ... | executive producer |
Vincent Gadelle | ... | executive producer |
Tristan Goligher | ... | producer |
Richard Holmes | ... | executive producer |
Philip Knatchbull | ... | executive producer |
Sam Lavender | ... | executive producer |
Tessa Ross | ... | executive producer |
Cinematography by
Lol Crawley |
Editing by
Jonathan Alberts |
Editorial Department
David Canseco | ... | assistant editor: San Francisco (as Dave Canseco) |
David Casey | ... | digital intermediate producer |
Dan Crussell | ... | colorist: rushes |
Jodie Davidson | ... | digital intermediate colourist |
Naomi Sunrise Filoramo | ... | assistant editor: Los Angeles |
Tom Hannibal | ... | first assistant editor: UK |
Russel Higgs | ... | manager: night lab |
Nigel Horn | ... | lab contact |
Charlotte Llewelyn | ... | digital intermediate coordinator |
Ben McIlveen | ... | digital intermediate on-line editor |
Mark Trend | ... | supervising assistant editor |
Matt Adams | ... | digital intermediate consultant (uncredited) |
Jahanzeb Hayat | ... | dailies producer (uncredited) |
Casting By
Kahleen Crawford |
Production Design by
Sarah Finlay |
Costume Design by
Suzie Harman |
Makeup Department
Hanna Canfor | ... | additional makeup assistant (as Hannah Canfor) |
Sally Rose Davidson | ... | assistant hair stylist / assistant makeup artist |
Kylie Jonkman | ... | additional makeup assistant |
Charlotte Mileham | ... | additional hair assistant (as Charlie Mileham) / additional makeup assistant (as Charlie Mileham) |
Jane Oginsky | ... | additional makeup assistant |
Nicole Stafford | ... | Hair & Make Up Designer |
Production Management
Peter Harrison | ... | business & legal affairs manager: Creative England |
Roslyn Hill | ... | production manager |
Emma Kayee | ... | production manager: BFI |
Fiona Morham | ... | head of production: BFI Film Fund |
Gerardine O'Flynn | ... | production finance manager: Film4 |
John Whollard | ... | unit manager |
Second Unit Director or Assistant Director
James Chambers | ... | third assistant director |
Fiona Hampton | ... | additional third assistant director |
Gemma Read | ... | second assistant director |
Gareth Tandy | ... | first assistant director |
Drew McDonnell | ... | trainee assistant director (uncredited) |
Art Department
Joe Barcham | ... | additional standby props |
Bobbie Cousins | ... | standby art director |
Becca Djan | ... | additional art department assistant: dailies |
Robin Jones | ... | property master |
Aoife McKim | ... | production buyer |
Fionn Rawnsley | ... | carpenter |
Katie Utting | ... | art department assistant |
Tam O'Malley | ... | props (uncredited) |
Sound Department
Jonny Allan | ... | additional boom operator |
Per Boström | ... | re-recording mixer |
Stéphane de Rocquigny | ... | foley recordist |
Gavin Marshall | ... | sound maintenance |
Christer Melén | ... | sound effects editor |
Julien Naudin | ... | foley artist |
Joakim Sundström | ... | supervising sound editor |
Ivor Talbot | ... | production sound mixer |
Matthew Uryzaj | ... | sound assistant |
Ben Carr | ... | adr mixer (uncredited) |
Oskar von Unge | ... | mix technician (uncredited) |
Visual Effects by
Andrew Maddison | ... | visual effects artist |
Camera and Electrical Department
Graham Abel | ... | rigger |
Thomas Barber | ... | camera trainee |
Rachel Clark | ... | additional clapper loader |
Sam Clark | ... | film stock provider: Kodak |
Chris Cullum | ... | additional electrician |
Kevin Golding | ... | rigger |
Scott Heapy | ... | best boy |
Alan Hunter | ... | rigger |
Simon Ingram | ... | additional electrician |
Joe Macdonald | ... | gaffer |
Agatha A. Nitecka | ... | still and specials photographer |
Derrick Peters | ... | first assistant camera |
Guy Smith | ... | key grip |
Jordan Spencer | ... | trainee electrician |
Jenni Suitiala | ... | electrician |
Dan West | ... | second assistant camera |
Casting Department
Catriona Dickie | ... | background casting |
Caroline Stewart | ... | casting assistant |
Costume and Wardrobe Department
Suzanne Bell | ... | additional costume assistant |
Rose Bennett | ... | costume assistant |
Emily Bowen | ... | costume supervisor |
Petra Vasvari de León | ... | costume assistant (as Petra Vasvari) |
Linda Gray | ... | additional costume assistant |
Daisy Plackett | ... | additional costume assistant |
Helen Vines | ... | additional costume assistant |
Ruth Young | ... | additional costume assistant |
Sam Dightam | ... | principal costume cutter and maker (uncredited) |
Location Management
Flynn Hamilton | ... | location assistant |
Tom Hamilton | ... | location manager |
Al Mackay | ... | location scout |
Music Department
Connie Farr | ... | music supervisor |
Script and Continuity Department
Julia Chiavetta | ... | script supervisor |
Transportation Department
Billy Butler | ... | driver: low loader |
Chris Cott | ... | facility driver |
Adam Fortune | ... | facility driver |
Dave Fortune | ... | facility driver |
Wayne Howlett | ... | driver: low loader |
Les Ireland | ... | driver: minibus |
Kevin Mann | ... | driver: minibus |
James McMeechan | ... | driver: camera truck |
Mike Pegg | ... | driver: minibus |
John Shelmerdine | ... | transportation captain |
Ed McLean | ... | unit driver (uncredited) |
Additional Crew
Suzanne Alizart | ... | legal services |
Shereene Amer | ... | finance manager: Creative England |
Bertie Berkeley | ... | production assistant |
Valentina Brazzini | ... | head of development: The Bureau |
Sue Bruce-Smith | ... | head of commercial and brand strategy: Film4 |
Virginia Burgess | ... | business affairs manager: BFI |
Andy Clark | ... | health & safety advisor |
Jill Clark | ... | animal handler |
Celine Coulson | ... | executive assistant to head of film4 |
Emmanuel Denizot | ... | French subtitles |
Melanie Dicks | ... | adviser: Greenshoot |
Harry Elvin | ... | runner |
Francesca Falchi-Pereira | ... | production coordinator |
Zoe Flower | ... | unit publicist |
Mike Gale | ... | production runner |
Ben Gardner | ... | additional runner |
Andrew Georgiou | ... | post-production accountant |
Mick Hurrell | ... | health & safety advisor |
Louise Jackson | ... | additional runner |
James Kingston | ... | caterer |
Peter Kingston | ... | caterer |
Catherine Kinson | ... | additional runner |
Ian Kirk | ... | head of production finance: BFI |
Garry Marriott | ... | unit medic |
Ian Marshall | ... | caterer |
James McDermott | ... | additional runner |
Drew McDonnell | ... | runner |
Donnchadh McNicholl | ... | legal and business affairs: Film4 |
Haley Mellor | ... | production coordinator: Creative England |
Christopher Moll | ... | head of film: Creative England |
Angie Negus | ... | caterer |
Tam O'Malley | ... | production assistant/greenshoot sustainability consultant |
Sean Richard | ... | assistant to producer: The Bureau |
Ben Roberts | ... | manager of lottery film fund |
Jackie Smith | ... | production accountant |
Sebastian Solberg | ... | epk |
Hannah Tatum | ... | unit publicist |
Armand Thievet | ... | banking: Natixis Coficiné |
Natalie Usher | ... | legal services |
Christopher Vidal | ... | banking: Natixis Coficiné (as Christophe Vidal) |
John Williams | ... | unit medic |
Jamey Wolpert | ... | development executive: BFI (as Jamie Wolpert) |
Eva Yates | ... | development editor: Film4 |
Andy Vyse | ... | production assistant (uncredited) |
Thanks
Mark Douglas | ... | special thanks |
Seth Hauer | ... | thanks |
Zofia Kwasieborska | ... | special thanks |
Andy Morwood | ... | very special thanks |
Ra Page | ... | special thanks |
Michael Weber | ... | special thanks |
Production Companies
- BFI Film Fund (support)
- British Film Institute (BFI) (support)
- Creative England (in association with) (support)
- Film4 (support)
- National Lottery through UK Film Council (in assocation with)
- The Bureau
- The Match Factory (in association with)
Distributors
- ABC Distribution (2015) (Belgium) (theatrical)
- Ad Vitam Distribution (2016) (France) (theatrical)
- Arthaus (2015) (Norway) (theatrical)
- Aya Pro (2016) (Japan) (theatrical)
- Cinema Prestige (2015) (Russia) (theatrical)
- Cinemien (2015) (Netherlands) (theatrical)
- Filmcoopi (2015) (Switzerland) (theatrical)
- Future Film (2015) (Finland) (theatrical)
- Mirada Distribution (2016) (Argentina) (theatrical)
- Piffl Medien (2015) (Germany) (theatrical)
- Spentzos Films (2015) (Greece) (theatrical)
- Studio S (2015) (Sweden) (theatrical)
- Sundance Selects (2015) (United States) (theatrical)
- Alambique Destilaria de Ideias (2015) (Portugal)
- Argentina Video Home (2016) (Argentina) (DVD)
- Artificial Eye (2015) (United Kingdom)
- Audio Visual Entertainment (2016) (Greece) (DVD)
- Film1 (2016) (Netherlands) (tv) (limited)
- Future Film (2016) (Finland) (Blu-ray) (DVD)
- Homescreen (2015) (Netherlands) (DVD)
- Moving Turtle (2015) (Lebanon) (Middle East & North Africa)
- NDMantarraya (2015) (Mexico)
- Pancinema (2016) (South Korea)
- Solopan (2015) (Poland)
- The Criterion Channel (2019) (United States) (tv) (digital)
- The Criterion Collection (2017) (United States) (DVD)
- Yleisradio (YLE) (2019) (Finland) (tv)
- good movies! (2016) (Germany) (DVD)
Special Effects
Other Companies
- Compact Cam Services (collection agent services)
- Compact Media Group (Collection Account Management)
- Freeway CAM B.V. (collection account management)
- Greenshoot (Sustainability Consultants)
- Kodak (film stock)
- Lee & Thompson (legal services)
- Panalux (lighting by)
- Panavision (camera equipment provided by)
- Pivotal Post (editing equipment: Avid HD)
- Salon (Avid rental)
- Technicolor (picture post facilities)
- Visual Icon (exclusive clip and still licensing)
- Warner Bros. De Lane Lea (sound re-recording)
- Warner Bros. De Lane Lea (sound re-recording)
- Way to Blue (publicity)
Storyline
Plot Summary |
Kate (Charlotte Rampling) and Geoff Mercer (Sir Tom Courtenay) are planning to celebrate their 45th wedding anniversary with dozens of friends. The event is to take place soon in the community hall of Norwich, the town near which they live. A week before the party, Geoff receives a letter which, although he tries to hide it, obviously troubles him. When his wife asks him what is going on, Geoff tells her that the body of Katya, his first great love who disappeared fifty years before in the Alps, has just been found in a melting glacier. From then on, Geoff starts behaving more and more strangely and for the first time after so many years Kate asks herself who the man she married so long ago really is. Written by Guy Bellinger |
Plot Keywords | |
Taglines | Do we really know our loved ones? See more » |
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Parents Guide | View content advisory » |
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Additional Details
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Box Office
Cumulative Worldwide Gross | $14,186,923 |
Did You Know?
Trivia | The movie was shot in chronological order. See more » |
Goofs | The morning when Rampling's character enters the kitchen, the clock reads 7:32. Later, being concerned about the passage of time, we see Rampling check her watch as she follows Courtenay into the storage area. Afterwards we see them once again in the kitchen concluding a conversation and going outside to have a smoke. To account for the time that had passed, the clock reads one hour later: 8:32. (Of course the odds are 1 in 60 that it be exactly 1 hour later, but such are the elements of master strokes!) Another morning the clock reads 8:25, and in the afternoon it reads 1:00. There are no goofs with the clock. See more » |
Movie Connections | Featured in Actresses (2016). See more » |
Soundtracks | My Autumn's Done Come See more » |
Crazy Credits | The opening credits play like a slide show. Every time before a new name appears on the screen, there is the unmistakable click of a slide projector. See more » |
Quotes |
Geoff Mercer:
What? You really believe you haven't been enough for me? Kate Mercer: No. I think I was enough for you, I'm just not sure you do. Geoff Mercer: Oh Kate - that's terrible! See more » |