7.1/10
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45 Years (2015)

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A married couple preparing to celebrate their wedding anniversary receives shattering news that promises to forever change the course of their lives.

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Writers:

, (short story "In Another Country")
Nominated for 1 Oscar. Another 20 wins & 52 nominations. See more awards »

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Cast

Complete credited cast:
... Kate Mercer
... Geoff Mercer
... Lena
... Sally
David Sibley ... George
Sam Alexander ... Chris The Postman
... Mr Watkins
... Travel Agent
... Café Waitress
Rufus Wright ... Jake
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Storyline

Kate and Geoff Mercer are planning to celebrate their 45th wedding anniversary with dozens of friends. The event is to take place soon in the community hall of Norwich, the town near which they live. A week before the party, Geoff receives a letter which, although he tries to hide it, obviously troubles him. When his wife asks him what is going on, Geoff tells her that the body of Katya, his first great love who disappeared fifty years before in the Alps, has just been found in a melting glacier. From then on, Geoff starts behaving more and more strangely and for the first time after so many years Kate asks herself who the man she married so long ago really is. Written by Guy Bellinger

Plot Summary | Add Synopsis

Taglines:

Do we really know our loved ones?

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and brief sexuality | See all certifications »

Parents Guide:

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Details

Official Sites:

Official Facebook | Official site |  »

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Language:

Release Date:

28 August 2015 (UK)  »

Also Known As:

45 años  »

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Box Office

Opening Weekend USA:

$65,775, 27 December 2015, Limited Release

Gross USA:

$4,250,507, 3 April 2016
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the cafe scene George tries to convince Tom Courtney's character that playing the ukulele would be a good hobby. In real life Tom Courtenay is an avid ukulele player. See more »

Goofs

The morning when Rampling's character enters the kitchen, the clock reads 7:32. Later, being concerned about the passage of time, we see Rampling check her watch as she follows Courtenay into the storage area. Afterwards we see them once again in the kitchen concluding a conversation and going outside to have a smoke. To account for the time that had passed, the clock reads one hour later: 8:32. (Of course the odds are 1 in 60 that it be exactly 1 hour later, but such are the elements of master strokes!) Another morning the clock reads 8:25, and in the afternoon it reads 1:00. There are no goofs with the clock. See more »

Quotes

Geoff Mercer: What? You really believe you haven't been enough for me?
Kate Mercer: No. I think I was enough for you, I'm just not sure you do.
Geoff Mercer: Oh Kate - that's terrible!
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Crazy Credits

The opening credits play like a slide show. Every time before a new name appears on the screen, there is the unmistakable click of a slide projector. See more »

Connections

References Max mon amour (1986) See more »

Soundtracks

Nobody Knows
Written by Jetho Chaplin / Harry George Keyworth / Raithe Laurence
Performed by Chipper
Courtesy of Chipper
Copyright Control
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User Reviews

 
The Sudden Emergence of the Past
22 August 2015 | by See all my reviews

Andrew Haigh's latest film "45 Years" (2015) is one of the big film events of this year and not least because of the memorable performances of its two leading actors, Charlotte Rampling and Tom Courtenay. It's a very simple film, granted, but exceptionally good as such. Both performers do an excellent job. Haigh's narrative is character-driven and never self-aware. All seems to be subjected to what is going on inside these characters. The film has been shot in the beautiful English countryside whose unreliable and unpredictable weather plays an integral role in the drama of untold memories, hidden emotions, and their appearance. It is a moving film about time and the complex relations between the past and the present.

The story centers around a retired, childless couple, Kate (Rampling) and Geoff (Courtenay) who have been married for 45 years. One day Geoff receives a letter telling him that the body of his ex-lover before his marriage, Katya, has been found fully preserved in the Swiss glaciers. This event as well as the approaching arrival of their 45th anniversary coerces the couple into re-evaluating their relationship, the choices they have made in life, and their deepest desires.

This story, based on a short story by David Constantine, is itself great in its simplicity, but Haigh also deals with it in an exquisite fashion. He has chosen not just the perfect performers for the roles but also the perfect milieu of the English countryside which works as a barometer for the characters' emotions. Haigh utilizes a moving camera and lingering, though not strikingly long, shots. He uses a wide range of different shots ranging from long full shots of the landscapes to medium close-ups of Kate's seemingly calm face which encapsulates her powerful eyes where a lot of emotion is going on that she is unable to express in words or gestures. Repeatedly, Haigh places Rampling wandering in the milieu, defining the character's relationship with the space that surrounds her. These scenes may strike as excessive to some, but one ought to relate them to the 45 years, to the time that is embodied in these five days before the anniversary celebration.

The title of the film refers to a time gone by, but the film takes place strictly (that is, flashbacks are excluded) in the present. The past finds form in the memory of Katya, the ghost in the couple's life who Kate never really knew. Katya, as the embodiment of the past, is a threat to the presence. It is as if she mocked the living in her death that has saved her from aging unlike Kate and Geoff. Geoff also takes a sudden interest in climate change, a powerful symbol not only for the slow eruption of drama for the couple but also the emergence of Katya, the past, beneath the surface. In a key scene, where Kate goes to their attic to study Geoff's old travel photos from the trip to Switzerland where Katya died, the slide projector -- offering the truths from the past -- is the only source of light and sound in an otherwise dark and silent present. In the long take, which covers the whole scene, we can sense the danger of the past swallowing the present, the danger of Kate falling into the glacier that once engulfed Katya.

Overall, "45 Years" is an extremely simple film. It bears no social nor metaphysical connotations. Formal elements serve the development of drama and character psychology. One can't really, however, talk about the subordination of style for the service of story because the external story is veritably marginal. It is, above all, an inner drama, taking place inside the characters. In all its simplicity, "45 Years" is a subtle, yet emotionally bursting film about the fragility, incompleteness, and vulnerability of life and love which have already lasted through a lot and grown in the process.


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