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Dior and I (2014)

Dior et moi (original title)
1:49 | Trailer

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Dior and I brings the viewer inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons' first haute couture ... See full summary »


Frédéric Tcheng
1 win & 4 nominations. See more awards »



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Cast overview, first billed only:
Christian Dior ... Himself (archive footage)
Omar Berrada Omar Berrada ... Christian Dior (voice)
Raf Simons ... Himself
Pieter Mulier Pieter Mulier ... Himself
Cathy Horyn Cathy Horyn ... Herself, fashion critic and journalist, The New York Times
Florence Chehet Florence Chehet ... Herself
Monique Bailly Monique Bailly ... Herself
Bernard Arnault Bernard Arnault ... Himself owner of LVMH Moët Hennessy Louis Vuitton SE and Christian Dior SE
Catherine Rivière Catherine Rivière ... Herself, Dior's director of haute couture
Sidney Toledano Sidney Toledano ... Himself
Li Hong Bo Li Hong Bo ... Himself (as Hong Bo)
Fulvio Rigoni Fulvio Rigoni ... Himself, design director of the women's collections, Christian Dior
Nadine Prot Nadine Prot ... Herself
Olivier Bialobos Olivier Bialobos ... Himself, international communications VP, Christian Dior
Esther Heesch Esther Heesch ... Herself


Dior and I brings the viewer inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons' first haute couture collection as its new artistic director-a true labor of love created by a dedicated group of collaborators. Melding the everyday, pressure-filled components of fashion with mysterious echoes from the iconic brand's past, the film is also a colorful homage to the seamstresses who serve Simons' vision. Written by The Orchard

Plot Summary | Add Synopsis


He has a new vision. They have eight weeks to create it.



Motion Picture Rating (MPAA)

Rated R for some language | See all certifications »





French | English | Italian

Release Date:

10 April 2015 (USA) See more »

Also Known As:

My Dior See more »


Box Office

Opening Weekend USA:

$45,772, 12 April 2015, Limited Release

Gross USA:

$1,028,000, 2 August 2015

Cumulative Worldwide Gross:

$2,274,016, 17 November 2015
See more on IMDbPro »

Company Credits

Production Co:

CIM Productions See more »
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Technical Specs



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Did You Know?


At the climactic runway show, notice Harvey Weinstein front and center, seated next to Jennifer Lawrence. See more »

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User Reviews

Rock and roll in the rafters of the House of Dior
3 January 2016 | by jakob13See all my reviews

Quite honestly, I am not a clothes person. My wife thinks that I live in the world of my peasant ancestors. The last thing I thought was, since I am a maven for the written word and the visual, that I'd give a turn looking at Frederic Chang's 'Dior and I'. If I didn't like it, fine, I'd stop the machine, and that would be the end of that. What I didn't expect: I was totally absolved by the arrival of Raf Simons as creative director 0f the House of Dior. An unlikely choice, it first appeared since he came from the ready to wear men's line of clothing to a culture that dressed women since 1947. But wiser heads prevailed, since Simons was a breath of fresh wind that swept away the dark clouds that Dior was under and with the departure of John Galliano for his anti-Semitic remarks. Had the brand fallen on hard times? Simons, in his brief three years at Dior, brought a vision of the 21 century to Dior that as Cheng's camera shows wasn't out of step with Christian Dior, as Cheng cuts in and out with clips and the words and at times the words of Dior on the feminine and dressing women to reflect her essence after seven years of war. And odd as it may sound, Simons' notions of beauty mirrored strangely and broadly with that of Dior's. What makes the arrival of Simons at Dior is how he and the team of Dior workers engaged in a felicitous dance of making Dior what it was a foremost house of haute couture. Cheng brings us closer to the heart of the House of Dior through the very people that sew, cut, fashion the ideas of Simons to the public as well as upholding the high standards of Dior and what that name means to the world. Under the rafters of the House of Dior on the Avenue Montaigne, we 'work' with the team Dior, some new others at the House since 42 years, as they labor right up to the last minute to bring the world of fashion Simons' first collection. As for him, he is more or less easy in working with people and encourages harmony to achieve his goals. He reads much, he goes to museums, and we even seen Dior's house painted in rose among gardens of flowers and emanating the feeling of spring. Although he is out of the world of the male, he grasps the ideal of making women beautiful, and finds colors and a freshness say in the paintings of Jeff Koons, the American painter who finds the beautiful in the most banal, as Simons' conceit to lift up a new palette in a Dior classicism but with a very modern twist. Simons has a temper for sure, but he is honest, the honesty of the Dutch burgher, which surfaces through the layers of haute couture. Cheng has done his best to show the choice of Simons wasn't something out of left field. In fact it was spot on and his choice by Dior's 32 percent share holder Louis Vuitton Moet Hennessey and Sydney Toldeano who presided over Dior's expansion was not only right but a stroke of good luck. 'Dior and I' is a work of love, it seems, and ought to be seen for fashion and the team that makes Dior, and has made Dior, a world class standard of high fashion.

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