Johnny is a successful banker who lives happily in a San Francisco townhouse with his fiancée, Lisa. One day, inexplicably, she gets bored with him and decides to seduce his best friend, Mark. From there, nothing will be the same again.
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Walt Disney World.
Aspiring actor Greg Sestero befriends the eccentric Tommy Wiseau. The two travel to L.A, and when Hollywood rejects them, Tommy decides to write, direct, produce and star in their own movie. That movie is The Room, which has attained cult status as the "Citizen Kane" of bad movies.Written by
The infamous Chris-R scene is being shown as taking place in an alleyway, while in the final film it takes place on a rooftop. It was reshot because Tommy Wiseau thought it would be "more dramatic" on the roof rather than its initial location in an alley. The reshoot cost $80,000 and took two weeks to shoot. See more »
At the end of the film, text states that to this day nobody knows how old Wiseau is, where he is from or how he made so much money. In actuality, his naturalization records can be found online that show he was born in Poland on October 3, 1955 and became a naturalized U.S. citizen in 1984 in San Francisco. According to Sestero, he moved to France before immigrating to the United States and changing his name to Thomas Pierre Wiseau (likely from Tomasz Piotr Wieczorkiewicz or Wieczór). Furthermore, a documentary filmmaker discovered he was born in Poznan, Poland. However, it remains a mystery as Wiseau will not confirm these details, and how he became so wealthy is still not known. See more »
If you were to ask the five best filmmakers in the world right now to make a movie like this... it... it wouldn't even be in the same universe.
I was blown away. Like, like three minutes in, I turn to my friend, "This is the fucking greatest movie I've ever seen in my life."
It has withstood, like, ten years? And people are still watching a movie and talking about a movie. People aren't doing that about whatever won the Oscar for Best Picture ten years ago.
What genius is...
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With the exception of the title itself, there are no opening credits in this film. See more »
A funny, sincere and heartfelt story of chasing your dreams.
Having been lucky enough to get tickets to the Australian premiere of The Disaster Artist with Greg Sestero himself in attendance, I was excited and eager to watch this amazing story. A comprehensive look at the making of what might be the most perplexing piece of cinema ever. I was not disappointed. James Franco is so spot on in his portrayal of Tommy's quirks and character its actually surreal. His first scene having him enter an acting class with the confidence of a rockstar but the talent of a fingerless piano player. Almost all of his endearingly strange lines had the audience laughing their heads off. I tip my hat to him and hopefully the Oscars come calling. He deserves to be nominated.
That presents a problem as well. He makes Tommy too likeable. While he was humanised to a certain extent and some solid insight was given into his motivations and feelings, it has to be acknowledged the real Tommy was far more obnoxious, manipulative and plain nasty. It was hard to present an accurate portrait of him as James Franco focuses more on his quirks and his charm and his tyrannical side was a bit glossed over. Nonetheless I gave him a pass and still loved watching him. And hey, you can't say Tommy isn't sincere. Other changes were made to the story and some plot points fictionalised, but that's the case in nearly every adaptation so that was to be expected. It did capture the spirit of the story and was never boring or slow paced, though it wouldn't have hurt to be a little longer either. Dave Franco does an excellent job as Greg, playing him a little more naive and optimistic than his real life counterpart (the real Greg knew he was not making a good movie, while this Greg seems a little more deluded.) but like the real Greg was so likeable and warm you just wanted him to succeed.
The film's supporting characters are perfectly cast as well, with Seth Rogen playing a straight man role as Sandy the stunned script supervisor along with several comedians and famous actors popping up left right and centre. The making of the movie is the most enjoyable part and is seriously funny. One of the biggest laughs in the cinema was Josh Hutcherson's first appearance as the room's most peculiar character, Denny, goofy haircut and shirt intact. It was also great to see that Ari Graynor and Jacki Weaver, playing Juliette Danielle's Lisa and Carolyn Minnott's Claudette from the movie respectively, are portrayed as strong willed and thick skinned people who nobly put up with some of the worst working conditions for an actor imaginable. No water or air conditioning combined with gratuitous belly button sex would have probably broken others but they soldiered on.
Overall it's a hilarious and genuinely moving account of an insane true story. It softens the darker edges a bit too much and I would have loved it to have included some even crazier parts of the book that didn't make the cut but what we're left with is still an excellent and enjoyable movie. OH HI MARK!
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