When Greg Sestero, an aspiring film actor, meets the weird and mysterious Tommy Wiseau in an acting class, they form a unique friendship and travel to Hollywood to make their dreams come true.
Regina King is headed back to the Emmys for her role in "Seven Seconds" and reveals what she was really thinking when she won her first Emmy for "American Crime."
Johnny is a successful banker who lives happily in a San Francisco townhouse with his fiancée, Lisa. One day, inexplicably, she gets bored with him and decides to seduce his best friend, Mark. From there, nothing will be the same again.
Director:
Tommy Wiseau
Stars:
Tommy Wiseau,
Juliette Danielle,
Greg Sestero
Competitive ice skater Tonya Harding rises amongst the ranks at the U.S. Figure Skating Championships, but her future in the activity is thrown into doubt when her ex-husband intervenes.
Director:
Craig Gillespie
Stars:
Margot Robbie,
Sebastian Stan,
Allison Janney
At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.
Director:
Guillermo del Toro
Stars:
Sally Hawkins,
Octavia Spencer,
Michael Shannon
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Walt Disney World.
Director:
Sean Baker
Stars:
Brooklynn Prince,
Bria Vinaite,
Willem Dafoe
A young African-American visits his white girlfriend's parents for the weekend, where his simmering uneasiness about their reception of him eventually reaches a boiling point.
Director:
Jordan Peele
Stars:
Daniel Kaluuya,
Allison Williams,
Bradley Whitford
In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
Director:
Joe Wright
Stars:
Gary Oldman,
Lily James,
Kristin Scott Thomas
Set in 1950's London, Reynolds Woodcock is a renowned dressmaker whose fastidious life is disrupted by a young, strong-willed woman, Alma, who becomes his muse and lover.
Director:
Paul Thomas Anderson
Stars:
Vicky Krieps,
Daniel Day-Lewis,
Lesley Manville
Aspiring actor Greg Sestero befriends the eccentric Tommy Wiseau. The two travel to L.A, and when Hollywood rejects them, Tommy decides to write, direct, produce and star in their own movie. That movie is The Room, which has attained cult status as the "Citizen Kane" of bad movies.Written by
rorybobglynn
In his book, Greg Sestero stated after his first rehearsal with Tommy Wiseau they played soccer, not football as shown in the film, though Wiseau still shouted "touchdown" after scoring a goal on Sestero. See more »
Goofs
The entire film takes place in the late 90s/early 2000s, but a Jack in the Box restaurant can be scene with the modern logo/signage, which was introduced in 2009. See more »
Quotes
Henry:
People are very strange these days! Oh, hi Betty.
See more »
Crazy Credits
While Corona's song "Rhythm Of The Night" plays over the credits, you can hear Tommy(Franco) singing along to the song. See more »
So yeah, The Room is pretty well-known by now, becoming just about the most popular 'so bad it's good' film of all time over the last six or seven years, as has the story behind it- as detailed in Greg Sestero's book, The Disaster Artist.
So being a fan of both, I had a good idea of what I was in for, approaching the James Franco directed The Disaster Artist, but I'm pleased to say the film ended up meeting my expectations and then some.
First things first: James Franco's performance in this is incredible. His accent and mannerisms are a spot-on imitation of Wiseau's, and he manages to make you feel sympathy towards the character too. It's one thing to so directly portray such a unique individual and make doing so incredibly funny, but it's another thing entirely to make him feel (almost) like a real person, and to make you genuinely care for him. I'm not exaggerating when I say that I truly think this performance is worth an Academy Award nomination (fingers crossed).
Everyone else was good too. Dave Franco had a less flashy role than his brother's, sure, playing Greg Sestero, but he did a good job as the more grounded, 'straight man' type character. And some of the casting was genius too- I could list almost everybody, but special mention should go to Josh Hutcherson, Zac Efron, and Jacki Weaver.
Also worth mentioning is how well the cast and crew recreated the look of the original The Room- the mannerisms of the actors, the set design, the lighting, the camera-work- it's all perfect. It makes the film an impressive technical achievement in many regards; not simply a funny film with inspired casting and good performances.
As for downsides? There aren't a whole bunch. Perhaps the most significant is that this may not have a great deal of appeal beyond those who've watched and loved The Room already. I'm sure it would still function as a good film, but it might lack something for those who aren't already indoctrinated into the cult of The Room. Other nitpicks I could think of may be that the film is fairly conventional in terms of plot- not a ton of surprises here (other than maybe a few cameos throughout). And it feels a tiny bit longer than just over 100 minutes- but again, that's a nitpick. I am more or less struggling to think of too much that I personally didn't like with this film.
So as a long time fan of The Room, this is about as good as I hoped it could be. I hope I'm wrong in my views that the audience for this will be limited, and that it does have appeal beyond hardcore fans of The Room. And hey, if there's enough buzz behind it to allow for James Franco to earn an Oscar nomination, then that would be fantastic.
And deserved (in my opinion).
This is one of the most pleasant surprises of the film year so far, and second only to Tim Burton's Ed Wood in the (admittedly probably non-existent) sub-genre of films about making terrible movies.
If you've ever watched The Room, or even just watched some of its scenes on Youtube, make sure you don't miss this one.
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So yeah, The Room is pretty well-known by now, becoming just about the most popular 'so bad it's good' film of all time over the last six or seven years, as has the story behind it- as detailed in Greg Sestero's book, The Disaster Artist.
So being a fan of both, I had a good idea of what I was in for, approaching the James Franco directed The Disaster Artist, but I'm pleased to say the film ended up meeting my expectations and then some.
First things first: James Franco's performance in this is incredible. His accent and mannerisms are a spot-on imitation of Wiseau's, and he manages to make you feel sympathy towards the character too. It's one thing to so directly portray such a unique individual and make doing so incredibly funny, but it's another thing entirely to make him feel (almost) like a real person, and to make you genuinely care for him. I'm not exaggerating when I say that I truly think this performance is worth an Academy Award nomination (fingers crossed).
Everyone else was good too. Dave Franco had a less flashy role than his brother's, sure, playing Greg Sestero, but he did a good job as the more grounded, 'straight man' type character. And some of the casting was genius too- I could list almost everybody, but special mention should go to Josh Hutcherson, Zac Efron, and Jacki Weaver.
Also worth mentioning is how well the cast and crew recreated the look of the original The Room- the mannerisms of the actors, the set design, the lighting, the camera-work- it's all perfect. It makes the film an impressive technical achievement in many regards; not simply a funny film with inspired casting and good performances.
As for downsides? There aren't a whole bunch. Perhaps the most significant is that this may not have a great deal of appeal beyond those who've watched and loved The Room already. I'm sure it would still function as a good film, but it might lack something for those who aren't already indoctrinated into the cult of The Room. Other nitpicks I could think of may be that the film is fairly conventional in terms of plot- not a ton of surprises here (other than maybe a few cameos throughout). And it feels a tiny bit longer than just over 100 minutes- but again, that's a nitpick. I am more or less struggling to think of too much that I personally didn't like with this film.
So as a long time fan of The Room, this is about as good as I hoped it could be. I hope I'm wrong in my views that the audience for this will be limited, and that it does have appeal beyond hardcore fans of The Room. And hey, if there's enough buzz behind it to allow for James Franco to earn an Oscar nomination, then that would be fantastic.
And deserved (in my opinion).
This is one of the most pleasant surprises of the film year so far, and second only to Tim Burton's Ed Wood in the (admittedly probably non-existent) sub-genre of films about making terrible movies.
If you've ever watched The Room, or even just watched some of its scenes on Youtube, make sure you don't miss this one.