Flight 7500 departs Los Angeles International Airport bound for Tokyo. As the overnight flight makes its way over the Pacific Ocean during its ten-hour course, the passengers encounter what appears to be a supernatural force in the cabin.
A damaged homicide detective (Johnny Messner) must prevent a grieving father from unleashing a "robotic virus" that he believes will destroy the terrorist cell that murdered his son, but at an unimaginable cost.
Timothy Woodward Jr.
A practicing Sikh is banned by the boxing commission for refusing to back down from his religious beliefs. Through racial profiling and stereotypical threats, he does what any strong American would do, fight back.
After an unprecedented global pandemic turns the majority of humankind into violent "Infected," a man gifted with the ability to speak the Infected's new language leads the last survivors on a hunt for Patient Zero and a cure.
The inside story of the planning, execution, rousing aftermath, and ultimate downfall of the kidnappers of beer tycoon Alfred "Freddy" Heineken in 1983, which resulted in the largest ransom ever paid for an individual.
For a movie with gun violence as the core activity, this is a very quiet, reflective piece. It is well scripted, well directed and well acted with no filler (no witty banter, ridiculous stunts, little humor, no f/x, etc). They do a good job of -not- glorifying the fights and maintaining suspense; at no point do I want to be in the main character's shoes. Along with Freida Pinto's character, I'm rooting for him to survive and work through his hopefully fleeting passion/obsession, not win the fights. Most of the time the positions he puts himself in just look like pointless death traps that I would rather not see him walk into (contrasted with a Jason Statham or Bond movie where it's fun to see how the protagonist manages to spectacularly untangle bad situations). The final fight is perfect - two accomplished warriors meet with nowhere to go and nothing to do but everything to prove.
Kwanten did an outstanding job - his character was nothing like I've seen him do before but I doubt Eastwood in his prime could have done better. And Rourke was his character; it may not have been a creative leap for him but it served the story well which is all that matters.
The weaknesses of the movie are also it's strengths: it has a very small # of relevant cast members and a very simple (but nearly perfect) story and script. So if it's not exactly your type of movie there's not going to be much in it for you.
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