5.6/10
3,157
23 user 66 critic

Last Days in the Desert (2015)

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An imagined chapter from Jesus' forty days of fasting and praying in the desert. On his way out of the wilderness, Jesus struggles with the Devil over the fate of a family in crisis.

Director:

Rodrigo García

Writer:

Rodrigo García
1 nomination. See more awards »

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Cast

Cast overview:
Ewan McGregor ... Jesus / Devil
Ciarán Hinds ... Father
Ayelet Zurer ... Mother
Tye Sheridan ... Son
Susan Gray Susan Gray ... Demonic Woman
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Storyline

Ewan McGregor is Jesus - and the Devil - in an imagined chapter from his forty days of fasting and praying in the desert. On his way out of the wilderness, Jesus struggles with the Devil over the fate of a family in crisis, setting for himself a dramatic test.

Plot Summary | Add Synopsis

Taglines:

To prepare for his mission, the holy man went into the desert to fast and pray, and to seek guidance.

Genres:

Adventure | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some disturbing images and brief partial nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

23 June 2016 (Singapore) See more »

Also Known As:

Últimos días en el desierto See more »

Filming Locations:

California, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Ayelet Zurer and Ewan McGregor also starred in 2009 blockbuster Angels and Demons See more »

Quotes

Son: He says a grave ties a man to the land forever. Do you think I'm selfish because I don't want to live here? My father has lived here his whole life, and he's lived it the way he wanted to. But now it's my turn. Men take turns.
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User Reviews

 
"Last Days in the Desert" is worth discussing, if not worth being immersed.
18 December 2015 | by thependragonscribeSee all my reviews

To all its credit, "Albert Nobbs" director Rodrigo Garcia makes a marvelous transition of the story of the temptation of Jesus to the art-house scene, cementing this "not intended for the Christian audiences". Though the art-house Biblical story is nothing unusual, "Last Days in the Desert" makes a unique turn of focusing it as a father-son story. That is where the flaws turn out. Driving the focus away from Jesus makes the story unjustifiable to explore and insincere to depict. However, the grandiose coming from Ewan McGregor's presence and the sense of struggle makes the journey satisfying. There could have been more depth to explore from a simple scripture about Jesus' 40 days in the desert, rather than adding a father-son subplot. But from what was offered, Garcia makes an interesting piece to talk about.


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