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The Assassin (2015)

Ci ke Nie Yin Niang (original title)
Not Rated | | Action, Drama, History | 27 August 2015 (China)
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2:35 | Trailer

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A female assassin receives a dangerous mission to kill a political leader in eighth-century China.

Director:

Hsiao-Hsien Hou

Writers:

Cheng Ah (screenplay) (as Zhong Acheng), T'ien-wen Chu (screenwriter) | 3 more credits »

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Nominated for 1 BAFTA Film Award. Another 35 wins & 72 nominations. See more awards »

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Cast

Credited cast:
Qi Shu ... Nie Yinniang
Chen Chang ... Tian Ji'an, governor of Weibo
Yun Zhou ... Lady Tian
Satoshi Tsumabuki ... The Mirror Polisher
Dahong Ni ... Provost Nie Feng
Mei Yong Mei Yong ... Yinniang' Mother
Zhen Yu Lei Zhen Yu Lei ... Tien Xing (Yinniang's Uncle)
Nikki Hsieh ... Huji,Tian Ji'an's concubine (as Hsieh Hsin-ying)
Ethan Juan ... Xia Jing, the aide-de-camp (as Juan Ching-Tian)
Fang-yi Sheu ... Princess Jiacheng / Princess-Nun Jiaxin
Jacques Picoux ... Lady Tian's Teacher
Rest of cast listed alphabetically:
Shao-Huai Chang ... Chiang Nu
Ti-Ying Hsueh
Fang Mei ... Yinniang' Grandmother
Chun Shih
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Storyline

In 8th century China, 10-year-old general's daughter Nie Yinniang is handed over to a nun who initiates her into the martial arts, transforming her into an exceptional assassin charged with eliminating cruel and corrupt local governors. One day, having failed in a task, she is sent back by her mistress to the land of her birth, with orders to kill the man to whom she was betrothed - a cousin who now leads the largest independent military region in North China. After 13 years of exile, the young woman must confront her parents, her memories and her long-repressed feelings. A slave to the orders of her mistress, Nie Yinniang must choose: sacrifice the man she loves or break forever with the sacred way of the righteous assassins. Written by Ipsith

Plot Summary | Plot Synopsis

Plot Keywords:

china | black magic | wuxia | nun | love | See All (42) »

Genres:

Action | Drama | History

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Country:

Taiwan | China | Hong Kong | France

Language:

Mandarin

Release Date:

27 August 2015 (China) See more »

Also Known As:

The Assassin See more »

Filming Locations:

Wudang, Hubei Province, China See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$47,892, 16 October 2015, Limited Release

Gross USA:

$613,556, 13 December 2015
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

In an interview with the New York Times published on 10/07/2015, director Hou said that he filmed in high locations within China and also in Inner Mongolia, an autonomous region of China. "We looked for higher-altitude places where modern society hasn't come in." See more »

Quotes

Xia Jing: [subtitled version] The way of the sword is pitiless. Saintly virtues play no part in it.
See more »

Alternate Versions

In Japan, the film has been released with an additional footage contains the scene involving the Mirror Polisher (Satoshi Tsumabuki) and the wife of the Mirror Polisher (Shiori Kutsuna). This version is only available on Japanese Blu-Ray from Shochiku Home Video but without English subs. See more »

Connections

Featured in The EE British Academy Film Awards (2016) See more »

Soundtracks

Rohan / Duc de Rohan
Music by Pierrick Tanguy
Performed by Bagad Men Ha Tan and Doudou N'Diaye Rose
See more »

Frequently Asked Questions

See more »

User Reviews

 
exploring spirituality
29 December 2015 | by kazanipouvrazeiSee all my reviews

Almost eight years after his last film, acclaimed auteur Hou Hsiao- Hsien was named best director in the last Cannes festival. This is a Tang Dynasty-inspired historical drama, taking place in the ninth- century China, with a woman called Nie Yinniang (Shu Qi) acting as the called Assassin. She is very capable with martial arts and knives and her last mission (ordered by her nun mentor) is to kill her beloved cousin. To be honest, I couldn't exactly follow the story, as the script was empty of meaning and character development. Hou is an absolute minimalist and fond of repeating patterns, giving its film a poetic premise. The cinematography is great (Ping Bin Lee/ In the Mood for Love) and only the visuals represent the bitter emotional complexes of the movie. The pace is sleepy, the actors do not have much to do and the director describes the whole story as if he was in a dreamy delirium: presenting to us multiple versions of the same scene, that seem to happen with no logic and in undefined time.


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