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The Assassin (2015)

Ci ke Nie Yin Niang (original title)
Not Rated | | Action, Drama, History | 27 August 2015 (China)
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A female assassin receives a dangerous mission to kill a political leader in eighth-century China.

Director:

Hsiao-Hsien Hou

Writers:

Cheng Ah (screenplay) (as Zhong Acheng), T'ien-wen Chu (screenwriter) | 3 more credits »
Nominated for 1 BAFTA Film Award. Another 35 wins & 72 nominations. See more awards »

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Cast

Credited cast:
Qi Shu ... Nie Yinniang
Chen Chang ... Tian Ji'an, governor of Weibo
Yun Zhou ... Lady Tian
Satoshi Tsumabuki ... The Mirror Polisher
Dahong Ni ... Provost Nie Feng
Mei Yong Mei Yong ... Yinniang' Mother
Zhen Yu Lei Zhen Yu Lei ... Tien Xing (Yinniang's Uncle)
Nikki Hsieh ... Huji,Tian Ji'an's concubine (as Hsieh Hsin-ying)
Ethan Juan ... Xia Jing, the aide-de-camp (as Juan Ching-Tian)
Fang-yi Sheu ... Princess Jiacheng / Princess-Nun Jiaxin
Jacques Picoux ... Lady Tian's Teacher
Rest of cast listed alphabetically:
Shao-Huai Chang ... Chiang Nu
Ti-Ying Hsueh
Fang Mei ... Yinniang' Grandmother
Chun Shih
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Storyline

In 8th century China, 10-year-old general's daughter Nie Yinniang is handed over to a nun who initiates her into the martial arts, transforming her into an exceptional assassin charged with eliminating cruel and corrupt local governors. One day, having failed in a task, she is sent back by her mistress to the land of her birth, with orders to kill the man to whom she was betrothed - a cousin who now leads the largest independent military region in North China. After 13 years of exile, the young woman must confront her parents, her memories and her long-repressed feelings. A slave to the orders of her mistress, Nie Yinniang must choose: sacrifice the man she loves or break forever with the sacred way of the righteous assassins. Written by Ipsith

Plot Summary | Plot Synopsis

Plot Keywords:

china | black magic | wuxia | nun | love | See All (42) »

Genres:

Action | Drama | History

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Country:

Taiwan | China | Hong Kong | France

Language:

Mandarin

Release Date:

27 August 2015 (China) See more »

Also Known As:

The Assassin See more »

Filming Locations:

Wudang, Hubei Province, China See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$47,892, 16 October 2015

Gross USA:

$613,556
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Hou Hsiao-hsien planned to make a period piece when he is older and when he decided that he is older he began doing the film. See more »

Quotes

Xia Jing: [subtitled version] The way of the sword is pitiless. Saintly virtues play no part in it.
See more »

Alternate Versions

In Japan, the film has been released with an additional footage contains the scene involving the Mirror Polisher (Satoshi Tsumabuki) and the wife of the Mirror Polisher (Shiori Kutsuna). This version is only available on Japanese Blu-Ray from Shochiku Home Video but without English subs. See more »

Connections

Featured in Dragon Girls (2016) See more »

Soundtracks

Rohan / Duc de Rohan
Music by Pierrick Tanguy
Performed by Bagad Men Ha Tan and Doudou N'Diaye Rose
See more »

Frequently Asked Questions

See more »

User Reviews

 
Painfuly slow, but so beautiful
28 September 2018 | by infoalwaysacriticSee all my reviews

The camera lingers on a woman, sitting on a bed, partially obscured by silk sheets that blow gently in the wind. The sheets drift apart and for a moment you see her face, contemplative. In a word, this is this film in a nutshell - contemplative.

To dispense with any misunderstanding, perhaps brought about by the title, or the brief description and the intense looking protagonist on the cover art, this is not a martial arts action film. The story contained within is a twisted intrigue of politics intertwined with an ill-fated love story and a young woman in emotional turmoil. There are a handful of beautifully choreographed scenes of combat, but in between lie long partitions of setting, silent physical drama and awkward monologues.

Making use of some of the most spectacular scenery in cinema, parts of the film have the feel of a cultural documentary. It wouldn't be an exaggeration to think that probably a third of the movie is setting shots of forest, lakes, trees, mountains, hills, goats, people's faces while they do something with their hands off camera, people walking, more people walking, people dancing, buildings at night, buildings in the day, buildings at sunset, buildings at sunrise, grass, person walking in grass, unknown person standing in trees, person looking surprised, then walking away... It's boring, it's beautiful and features some impressive mastery of camera work, lavish costumes and sets that are beautiful but it's also tedious. If viewing a film of this kind for the first time, a person may find it difficult to follow, not because the story is complex but because the story is thinly exposited between lengthy shots that establish very little if anything at all. Subsequently it is easy to lose interest between the action scenes and get lost in the cultural documentary that parses several critical events.

There is an audience for this type of a film - who is looking for something without hollywood glitz, who's tired of the over-the-top melodrama of western politics, who want something beautiful and slow and most importantly is familiar with enough Chinese culture to be able to infer the significance of seemingly pointless scenes. For example, there is something deliberate in seeing a random woman you're sure you've never seen before, standing in a forest, doing nothing. Maybe there's some significance to her gait, because she's a well known actress, and that's supposed to reveal an important relationship to another character. Is that exciting to you? Then sit back and get ready to watch a lot of people who stand there and say nothing, or participate in mundane everyday life events without an explanation. If you can decipher such curious camera angles and what's not shown or even talked about, you too can infer the meaning of this film, which isn't that mind-blowing when you do, but it's fun to participate along the way. While you're doing so, try not to be distracted by the film ration spontaneously switching from 4:3 to 16:9, that just happens... or does it?


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