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Ithaca (2015)

PG | | Drama, War | 9 September 2016 (USA)
1:54 | Trailer

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With his older brother off to war, fourteen-year-old telegram messenger Homer Macauley comes of age in the summer of 1942.


Meg Ryan


Erik Jendresen, William Saroyan (novel)
2 nominations. See more awards »



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Cast overview, first billed only:
Alex Neustaedter ... Homer Macauley
Meg Ryan ... Mrs. Macauley
Sam Shepard ... Willie Grogan
Hamish Linklater ... Tom Spangler
Jack Quaid ... Marcus Macauley
Tom Hanks ... Matthew Macauley
Spencer Howell ... Ulysses Macauley
Christine Nelson ... Bess Macauley
Gabriel Basso ... Tobey George
Lois Robbins ... Mrs. Beaufrere
Lucia Scarano ... Mrs. Rosa Sandoval
Molly Gordon ... Mary Arena
Scott Shepherd ... Mr. Corbett
James McCool James McCool ... Lionel
Ethan Wasson Ethan Wasson ... Auggie


Fourteen-year-old Homer Macauley is determined to be the best and fastest bicycle telegraph messenger anyone has ever seen. His older brother has gone to war, leaving Homer to look after his widowed mother, his older sister and his 4-year-old brother, Ulysses. And so it is that as spring turns to summer, 1942, Homer Macauley delivers messages of love, hope, pain... and death... to the good people of Ithaca. And Homer Macauley will grapple with one message that will change him forever. Based on Pulitzer Prize-winning author William Saroyan's 1943 novel, The Human Comedy, ITHACA is a coming-of-age story about the exuberance of youth, the abruptness of change, the sweetness of life, the sting of death, and the sheer goodness that lives in each and every one of us. Written by Erik Jendresen

Plot Summary | Add Synopsis


Be brave. Do good. See more »


Drama | War

Motion Picture Rating (MPAA)

Rated PG for thematic elements, a war image, and smoking | See all certifications »


Official Sites:

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Release Date:

9 September 2016 (USA) See more »

Also Known As:

Итака See more »

Filming Locations:

Virginia, USA See more »


Box Office


$5,000,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs




Aspect Ratio:

2.35 : 1
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Did You Know?


Loosely associated with The Human Comedy (1943), also based on William Saroyan's novel. See more »


When they are in the cinema watching the newsreel, there's a shot of a man carrying a wounded solider across a river. The commentary states "when this country was extending a helping hand..."

The shot actually of an Australian soldier helping a wounded Australian in the Kokoda campaign in New Guinea. The film is footage from Kokoda Front Line, by Damian Parer, who was an Australian combat camera man. See more »


Mrs. Macauley: There will always be pain in this world, Homer. And a good man will seek to take the pain out of things.
See more »

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User Reviews

Maybe this will open the way for better Saroyan adaptations
7 June 2017 | by NozzSee all my reviews

After World War II, William Saroyan gambled away all his money but he preferred to resort to hack work rather than sell movie rights to any of his novels. Not after his disappointment with the original movie of The Human Comedy. Part of it was vanity. He'd wanted to direct the movie, and MGM wouldn't let him. But it's also true that Hollywood has its own point of view and it doesn't always match Saroyan's.

In Ithaca, which is a remake of the Human Comedy (now that Saroyan is dead), the main story and characters are preserved, but to me it doesn't look like Saroyan. In the book's classic illustrations by Don Freeman, Mrs. Macauley is older-looking and certainly not an attractive but obvious plastic-surgery veteran like Meg Ryan. Grogan is older-looking too. The character brought most successfully to the screen is Ulysses, although he shouldn't be losing his baby teeth if, as the dialog says, he's four. He's remarkable.

The visuals are, to my taste, too expressionistic. The telegraph office is huge, the roads are wide, and things are too big in general except where Marcus the faraway soldier is involved. All the scenes with Marcus are crowded. That does emphasize the contrast between Ithaca and where Marcus is, but Marcus is not remote enough. Because there are continual voice-overs from his letters, I think the audience doesn't appreciate his absence as a factor. Even the dead father isn't completely absent, and although he adds a sorrowful note, this unkillable family togetherness diminishes the philosophical message that our human condition is one of loneliness and we must actively reach out.

On the one hand, I expected a dustier, less prosperous-looking Ithaca. On the other hand, I was surprised that the choice of music verged on primitivity. More Appalachian than Californian.

I think that a more realistic movie might have worked better, because of the need to carry some dialogue that can, if not handled right, sound unrealistically divorced from what everyday people really say. People declaiming unrealistic-sounding dialogue amidst unrealistic-looking scenery may be fine for the stage but it's difficult to sell on the screen.

Still, the movie tries to be respectful of the original. It even includes some salutes to matters that only readers of the book will fully appreciate-- such a mention of unripe apples, referencing a whole episode involving unripe apricots in the book. I hope that since Saroyan is no longer alive to object, Hollywood will continue to mine his canon.

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