A hot altercation followed by a gallant rescue gets a lonely screenwriter a front-row seat to a tense backwoods drama when he decides to take in an ex-con drifter. Now, he is bent on making his host a better man. Will this nightmare end?
Jonathan Rhys Meyers,
International master thief, Simon Templar, also known as The Saint, is asked by a desperate rich man to find his kidnapped daughter. However, in addition to evading the authorities, Simon must face a dangerous adversary from his past.
An ex-special services veteran (Antonio Banderas), down on his luck and desperate for work, takes a job as a security guard at a run-down mall in a rough area of town. On his first night on the job, he opens the doors up to a distraught and desperate young girl who has escaped and fled from a hijacking of the U.S. Marshal motorcade that was transporting her to testify as a trial witness. Hot on her heels is psychopathic hijacker (Sir Ben Kingsley), alongside his resourceful henchmen, who will stop at nothing to extract and eliminate their witness.Written by
Principal photography on this movie began in November 2015 in Bulgaria, and ended on January 22, 2016. Alain Desrochers directed this fifteen million dollar budgeted movie for Nu Image/Millennium Films. See more »
Vance describes "Betty" as his "3057" for which he has a conceal/carry permit - even the subtitles say 3057. There is no such gun (since 1849) as a 3057. When it's produced later, Betty appears to be a 6" Colt Python .357 magnum - which is much to large for a practical carry-weapon. See more »
This production by Millennium Films (the Cannon Films of the 21st century) initially has some interest because it's clearly heavily influenced by two movies. The first and most obvious is "Die Hard", but it is clear the filmmakers got some inspiration from the John Carpenter movie "Assault on Precinct 13". But while this combination gives the movie an initially interesting start, it soon becomes clear that the filmmakers had little else to jazz up this tired movie. It takes forever for it to get going, and once it does, the energy level is surprisingly flat for the most part. Even the final confrontation is a letdown. The script is extremely predictable; you'll be a few steps ahead of the characters at any point. The combination of the flat screenplay and direction probably explain why stars Antonio Banderas and Ben Kingsley both phone in their performances. Oh, there are a few unintended laughs, like how the shopping mall interior is clearly a very cheap construction on a sound stage somewhere in Bulgaria. And I admit the movie, while being extremely predictable, is not really boring. But for the most part, the movie is utterly forgettable; it'll afterwards evaporate completely from your memory within hours.
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