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Boundaries (2016)

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Emily Price tries to balance family life and leading crunch negotiations between a Canadian politician and the president of a country whose natural resources are being exploited.


Chloé Robichaud
1 win & 4 nominations. See more awards »



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Credited cast:
Emily VanCamp ... Emily Price
Micheline Lanctôt ... Fortune Teller
Serge Houde ... Dustin Torpe
Macha Grenon ... Danielle Richard
Rémy Girard ... Paul Rivest
Alexandre Landry ... Vincent Pilon
Carlo Mestroni ... Parliament Security Agent
Max Laferriere ... Security Agent
Yves Jacques ... Francis Perreault
Sophie Faucher ... Christiane Doyon
Michael Rudder Michael Rudder ... President's Driver
Jean-Guy Bouchard ... Raymond
Benoît Dagenais ... Lobbyist Roc Biron
Nathalie Doummar Nathalie Doummar ... Félixe Nasser-Villeray
Jasmine Lemée Jasmine Lemée ... Rachel Fontaine


Emily Price tries to balance family life and leading crunch negotiations between a Canadian politician and the president of a country whose natural resources are being exploited.

Plot Summary | Add Synopsis









Release Date:

26 October 2016 (USA) See more »

Also Known As:

Boundaries See more »

Filming Locations:

Montréal, Québec, Canada See more »


Box Office


CAD4,200,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs




Aspect Ratio:

1.85 : 1
See full technical specs »

Did You Know?


Although fluent in French since childhood, this is Emily VanCamp's first role in the language (she shot a dream sequence in French for Everwood: Is There a Doctor in the House? (2002), but it ended up being cut). See more »


Really Thought She Loved Me
Performed by Masasolo
(Morten Søgaard Andersen)
Published by Morten Søgaard Andersen
Authorised by Antiphonics IVS
See more »

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User Reviews

The messy business of making deals
19 April 2017 | by ReganRebeccaSee all my reviews

Boundaries is a story of exploitation, political intrigue, colonization and exploitation. But don't let these heavy themes fool you; writer-director Chloé Robichaud's characteristic minimalist style means that they're given short shrift, enveloped in a subtlety so dense it's like nothing is really happening at all.

The film takes place on the (fictional) island of Besco, a small islander community off the east coast of Canada that is struggling economically. Besco wants to negotiate with the Canadian government, one of her countries main creditors, to allow Canadian companies to come in and mine their precious resources while getting the best deals, jobs and infrastructure left in place. The government of Canada wants to help Besco, at least to their faces. In actuality what they want is to strip Besco of as many as its resources as possible while investing as little financially as they can. The conflict is viewed through three women: a 25 year old newly elected MP named Félixe, the president of Besco, Madame Richard, and an American mediator Emily Price. The women all try to stay as cold and distant from each other as their profession demands but a few brief flirtations with friendship arise between Price and each woman. Not that that's really the point of the movie. While the personal conflicts of each women get a few minutes of screen time (Félixe has trouble adjusting to the cynicism of politics, Richard is only president to build a better future for her kids, but then ironically has no time for them, and Emily who is so great at her job as a negotiator is failing to negotiate her own life as her husband is filing for sole custody of their kid) all of the problems are so trite and clichéd they feel stale. At one point Emily learns that her husband has officially filed against her and so she takes to the dance floor to let loose.

You would think since the women are such cut outs that at least the negotiations would be interesting but their not really. Again, Robichaud infuses her film with clichés as she intercuts footage of school kids brawling outside with the adults arguing inside. A huge part of the negotiations are also covered in a montage. It's weirdly trite for such a great filmmaker as Robichaud. And she really is a great filmmaker. Despite the script that weighs her down there are many moments of deft beauty and humour that show in her craft. There's a great scene of all three women washing their hands in the bathroom, simply smiling politely at one another as the bounds of professionalism keep them from acknowledging each other any further. There are many slow and beautiful shots of the scenery and some clever and fun editing. It's just a pity that the story behind Boundaries just isn't enough to stay interesting.

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