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In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.

Director:

Yorgos Lanthimos

Writers:

Yorgos Lanthimos, Efthymis Filippou (as Efthimis Filippou)
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Popularity
756 ( 261)
Nominated for 1 Oscar. Another 31 wins & 72 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jacqueline Abrahams ... Donkey Shooter
Roger Ashton-Griffiths ... Doctor
Jessica Barden ... Nosebleed Woman
Olivia Colman ... Hotel Manager
Anthony Dougall Anthony Dougall ... 70 Year Old Waiter
Sean Duggan ... Guard Waiter
Colin Farrell ... David
Roland Ferrandi ... Loner Leader's Father
James Finnegan James Finnegan ... Bald Man
Robert Heaney Robert Heaney ... Restaurant Waiter
Rosanna Hoult ... David's Wife
Jaro Jaro ... Bob the Dog
Ryac Ryac ... Bob the Dog
Ashley Jensen ... Biscuit Woman
Kathy Kelly Kathy Kelly ... Police Officer 1
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Storyline

A love story set in a dystopian near future where single people are arrested and transferred to a creepy hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal and released into the woods. Written by R. Byma

Plot Summary | Plot Synopsis

Taglines:

An unconventional love story by Yorgos Lanthimos.


Motion Picture Rating (MPAA)

Rated R for sexual content including dialogue, and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Ireland | UK | Greece | France | Netherlands

Language:

English | French | Greek

Release Date:

16 October 2015 (Ireland) See more »

Also Known As:

La langosta See more »

Filming Locations:

County Kerry, Ireland See more »

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Box Office

Budget:

€4,000,000 (estimated)

Opening Weekend USA:

$190,252, 15 May 2016, Limited Release

Gross USA:

$8,699,235, 25 September 2016

Cumulative Worldwide Gross:

$8,978,887, 4 August 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

D-Cinema 48kHz 5.1

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The production worked almost entirely with natural light and without makeup. Lighting was only used for some night scenes. See more »

Goofs

After the heartless woman falls down from getting shot by David with a tranquilizer gun, her skirt falls open high enough to see her underwear. When David approaches her, her skirt is now covering up the underwear. See more »

Quotes

Loner Leader: Do you love her?
Campari Man: With all my heart
Loner Leader: How much do you love her? On a scale of 1 to 15.
Campari Man: 14.
Loner Leader: 14 is a very impressive score. He loves her very much indeed. Who do you think we should kill? Who will be able to live on their own better?
Campari Man: ...
Loner Leader: You. If this woman dies, do you think you will manage on your own or will you get involved with someone else?
Campari Man: No. I can live alone, she cannot... I like sitting in the room. Relaxes me. Calms me. I like it a lot. I can definitely live on my own.
See more »

Connections

Featured in The EE British Academy Film Awards (2016) See more »

Soundtracks

String Quartet No. 1 in D, Op. 25: Andante Sostenuto
Composed by Benjamin Britten
Permission of Boosey & Hawkes, an Imagem Company
Performed by The Takács Quartet
Courtesy of Hyperion Records Ltd, London
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Frequently Asked Questions

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User Reviews

Weird, Whacky & Wicked But Also Dull, Sterile & Vapid.
18 December 2015 | by CinemaClownSee all my reviews

Weird, whacky & wicked but equally dull, sterile & vapid, The Lobster is a strange beast that actually begins quite well but tumbles down the road after the halfway mark to conclude on a rather uninteresting note. The concept is no doubt intriguing and it takes its time to make us familiar to the society inhabiting its tale but all of it doesn't amount to much in the end & it fails to leave any lasting impression.

Set in a dystopian future, The Lobster presents a world in which single people are arrested & taken to a hotel where they are obliged to find a matching partner within 45 days or they are transformed into animals & released into the woods. The plot follows David who arrives at the hotel for the same reason but his endeavours of finding a mate before his time is over ends far more tragically than he expected.

Co-written & directed by Yorgos Lanthimos, The Lobster marks his English-language debut and the idea & inspiration behind it is both clever & admirable. The sequences taking place in the hotel are nicely carried out but its second half lacks the same level of creativity that's present in the first half. The excitement goes missing once the protagonist leaves the hotel and from there on, it just limps throughout its remaining runtime.

The hotel is neatly maintained but it also has a creepy vibe about it. Camera movements are fluid, colour hues wonderfully compliment its overcast ambiance and lighting seems natural for the most part. Editing allows the plot to unfold at an unhurried pace but the whole story feels twice as long because of that, with no idea of where it's headed. Last, the background score is just as odd as the story's content and is intermittently utilised.

Coming to the performances, The Lobster features a fine cast in Colin Farrell, Rachel Weisz, Léa Seydoux, Ben Whishaw & John C. Reilly and most of them are simply bland & lifeless in their respective roles. It can be argued that the spiritless rendition of these scripted people was deliberate but it doesn't really help in enriching the experience, at all. The deadpan wit is occasionally amusing but it's also too easy to get frustrated by whatever is happening.

On an overall scale, The Lobster is an uncanny mix of bizarre ideas that, in its effort to play with multiple things at once, may end up drifting many of its viewers. While I found nothing lovable about it, its parody of the society that gives way too much credit to companionship, in addition to the dig it takes at those match-making algorithms which rely on similar traits & likeness factor is one aspect I liked but in all seriousness, The Lobster is too mediocre to be of any significance.


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