In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
A love story set in a dystopian near future where single people are arrested and transferred to a creepy hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal and released into the woods.Written by
Altough many consider this as Yorgos Lanthimos' first English spoken film, the truth is that the director's first is Necktie, a short film featured in Venezia 70: Future Reloaded. See more »
When the heartless woman is escorting David out of their room, she clearly has blood splatters on the backside of her calf. As she chases David through the halls, the blood on the back of her calf disappears. When David shoots her with the tranquilizer in the back, the blood has reappeared on her calf. See more »
Short Sighted Woman:
One day, as he was playing golf, he thought that it is more difficult to pretend that you do have feelings when you don't than to pretend you don't have feelings when you do.
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The Lobster is a curious film with shades of the Coen Brothers or Grand Hotel Budapest (the fact that so much is set in a hotel is incidental, or hotels in movies are places to be avoided). Dysfunctional characters drift through, delivering their lines with humorous lack of awareness and emotion, strange rituals are performed to bond the guests, and all the time the clock is ticking - find a partner, become a couple, within 45 days or be turned into an animal of your choice.
The first part of the film is amusing, quirky and entertaining. The style is pleasant and interesting, despite some nasty moments. Some of the shots drag a little, but it adds to the curious atmosphere. The dry, deadpan dialogue is perfectly delivered, Colin Farrell as the main protagonist shows he really is a fine actor.
Then the film changes. New characters are introduced and the mood becomes much bleaker. No longer is this humorous, the stakes have changed. It is hard to identify with the new characters as we had already invested emotion in the earlier ones. And it gets worse, leading to en ending that is as unclear as it is unpleasant.
The Lobster cannot seem to make up its mind what kind of a film it is, is it simply saying that we are all venal and craven in the end? If so, why the humour at the beginning? And if we are capable of love, is it really so shallow as to be broken by people saying things?
I loved the beginning, I didn't like the end. This was one fish dish that left a bad taste.
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