In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
Get to know the fractured films of Yorgos Lanthimos, director of Oscar-nominee The Favourite. And join us here for the IMDb LIVE at the Elton John AIDS Foundation Academy Awards Viewing Party, streaming at 7:30 p.m. EST/4:30 p.m. PST on Sunday, Feb. 24.
In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
A love story set in a dystopian near future where single people are arrested and transferred to a creepy hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal and released into the woods.Written by
Altough many consider this as Yorgos Lanthimos' first English spoken film, the truth is that the director's first is Necktie, a short film featured in Venezia 70: Future Reloaded. See more »
In the shopping mall, whilst the female officer is questioning the kneeling woman who says that her husband is away, the officer goes and crouches down to look at the kneeling woman's shoes and puts her hands on the soles of them. In the next shot suddenly both of the officer's wrists are resting on her thighs near her knees, with her hands nowhere near the kneeling woman's shoes. See more »
How you like to spend your last night? What I always said in this situation is it would be wise to do something you can't do as an animal. For example, read a work of classic literature or sing a song you really like. It would be silly to choose, for example, a walking the ground or have sex intercourse with another person, those are things you can do as an animal.
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Being a Yorgos Lanthimos virgin, I was attracted to the title by its quirky premise and interesting cast list. I approached with cautious optimism, hoping to find a gem at the very least. What I found instead was a cinematic treasure trove.
The Lobster follows David (Colin Farrel) in a society where it is unacceptable to be single. When David's wife leaves him he is sent to The Hotel where he has 45 days to find a partner. If he finds one - awesome. If he fails, he will be turned into an animal. Of his choice, naturally.
It's stylish, it's got technique, it's disorienting (in a good way), it asks questions about us and doesn't really care about hearing our answers. It instills within you the great sense of uneasiness that the characters must feel in this collection of increasingly odd situations through stilted, brutally frank dialogue in a masterclass of a script. The performances, also, are stunning. I was pleasantly surprised by Rachel Weisz in her subtly moving role as the Short Sighted Woman.
Having watched it no more than five hours ago, I find myself recalling it as if it was a dream. The carefully considered combination of editing and cinematography gives the feature that lifted, slightly angled and unaligned feel. Its world presents itself to you in a disembodied kind of way and, in the way you may leave your bed after a dream, you will leave the cinema questioning everything about it.
I can honestly say The Lobster has entered the ranks of my favourite films. Go and catch this while it's still in cinemas - the critically thirsty mind will not remain unquenched.
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