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The Lobster (2015)

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In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.

Director:

Yorgos Lanthimos

Writers:

Yorgos Lanthimos, Efthymis Filippou (as Efthimis Filippou)
Reviews
Popularity
160 ( 222)
Nominated for 1 Oscar. Another 32 wins & 72 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jacqueline Abrahams ... Donkey Shooter
Roger Ashton-Griffiths ... Doctor
Jessica Barden ... Nosebleed Woman
Olivia Colman ... Hotel Manager
Anthony Dougall Anthony Dougall ... 70 Year Old Waiter
Sean Duggan ... Guard Waiter
Colin Farrell ... David
Roland Ferrandi ... Loner Leader's Father
James Finnegan James Finnegan ... Bald Man
Robert Heaney Robert Heaney ... Restaurant Waiter
Rosanna Hoult ... David's Wife
Jaro Jaro ... Bob the Dog
Ryac Ryac ... Bob the Dog
Ashley Jensen ... Biscuit Woman
Kathy Kelly Kathy Kelly ... Police Officer 1
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Storyline

A love story set in a dystopian near future where single people are arrested and transferred to a creepy hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal and released into the woods. Written by R. Byma

Plot Summary | Plot Synopsis

Taglines:

An unconventional love story by Yorgos Lanthimos.


Motion Picture Rating (MPAA)

Rated R for sexual content including dialogue, and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Ireland | UK | Greece | France | Netherlands

Language:

English | French | Greek

Release Date:

16 October 2015 (Ireland) See more »

Also Known As:

La langosta See more »

Filming Locations:

County Kerry, Ireland See more »

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Box Office

Budget:

€4,000,000 (estimated)

Opening Weekend USA:

$190,252, 15 May 2016, Limited Release

Gross USA:

$8,699,235, 25 September 2016

Cumulative Worldwide Gross:

$8,978,887, 4 August 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

D-Cinema 48kHz 5.1

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

A24 is best known for their films Lady Bird, Moonlight, The Florida Project, The Disaster Artist, The Lobster, The Witch, and Ex Machina. See more »

Goofs

When David was trying to see if the other person was wearing contacts while in the woods, whenever he gave a direction to point his eye (left, right, up....etc), the other character would move his eye in the correct direction slightly before David would say which direction to look. See more »

Quotes

Hotel Manager: How you like to spend your last night? What I always said in this situation is it would be wise to do something you can't do as an animal. For example, read a work of classic literature or sing a song you really like. It would be silly to choose, for example, a walking the ground or have sex intercourse with another person, those are things you can do as an animal.
See more »

Connections

Referenced in Midnight Screenings: The Lobster (2016) See more »

Soundtracks

String Quartet No. 1 in D, Op. 25: Andante Sostenuto
Composed by Benjamin Britten
Permission of Boosey & Hawkes, an Imagem Company
Performed by The Takács Quartet
Courtesy of Hyperion Records Ltd, London
See more »

Frequently Asked Questions

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User Reviews

 
A remarkable oddity of a film
18 October 2015 | by Cjalln1See all my reviews

"The Lobster" takes the tropes and expectations of modern-day relationships and satirises them almost out of existence. The farcical "Hotel" aims to partner 'loner' humans with each other (based on 1 characteristic) in a stress-inducing timeframe of 45 days, often resulting in deception and the suppression of true feelings in order to garner a relationship as a means of escape. The other side of the coin is the outcast tribe living a meagre existence in the woods, where even flirting is punished with physical mutilation. The cold mechanical delivery of every single character's lines emphasises the absurdity of the situation, and bizarrely makes the jokes even funnier. Not since Richard Ayoade's "The Double" has cripplingly awkward humour been so effective. This film has a lot to say about the fickle nature of relationships, set against the background of a dystopian society. The cinematography is as flat as the actors' delivery; this contributes to the emotionally-stunted, often silent world that the characters inhabit. The ending is beautifully ambiguous and surprisingly tense for such an understated scene. A score which fluctuates from terse, rough string melodies to Italian opera heightens the sense of weird-art-film which pervades "The Lobster": definitely a film which requires full attention, reflection, and a mind open to arty weirdness, "The Lobster" is a remarkable oddity.


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