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The Lobster (2015)

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In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.

Director:

Yorgos Lanthimos

Writers:

Yorgos Lanthimos, Efthymis Filippou (as Efthimis Filippou)
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Popularity
831 ( 311)
Nominated for 1 Oscar. Another 33 wins & 74 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jacqueline Abrahams ... Donkey Shooter
Roger Ashton-Griffiths ... Doctor
Jessica Barden ... Nosebleed Woman
Olivia Colman ... Hotel Manager
Anthony Dougall Anthony Dougall ... 70 Year Old Waiter
Sean Duggan ... Guard Waiter
Colin Farrell ... David
Roland Ferrandi ... Loner Leader's Father
James Finnegan James Finnegan ... Bald Man
Robert Heaney Robert Heaney ... Restaurant Waiter
Rosanna Hoult ... David's Wife
Jaro Jaro ... Bob the Dog
Ryac Ryac ... Bob the Dog
Ashley Jensen ... Biscuit Woman
Kathy Kelly Kathy Kelly ... Police Officer 1
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Storyline

A love story set in a dystopian near future where single people are arrested and transferred to a creepy hotel. There they are obliged to find a matching mate in 45 days. If they fail, they are transformed into an animal and released into the woods. Written by R. Byma

Plot Summary | Plot Synopsis

Taglines:

An unconventional love story by Yorgos Lanthimos.


Motion Picture Rating (MPAA)

Rated R for sexual content including dialogue, and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Ireland | UK | Greece | France | Netherlands

Language:

English | French | Greek

Release Date:

16 October 2015 (Ireland) See more »

Also Known As:

The Lobster See more »

Filming Locations:

County Kerry, Ireland See more »

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Box Office

Budget:

EUR4,000,000 (estimated)

Opening Weekend USA:

$190,252, 15 May 2016

Gross USA:

$9,077,245

Cumulative Worldwide Gross:

$15,456,717
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

D-Cinema 48kHz 5.1

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The Eccles Hotel in Glengarriff, County Cork is used for many of the interior shots of the hotel. Many exterior shots were taken in Parknasilla. See more »

Goofs

When the heartless woman is escorting David out of their room, she clearly has blood splatters on the backside of her calf. As she chases David through the halls, the blood on the back of her calf disappears. When David shoots her with the tranquilizer in the back, the blood has reappeared on her calf. See more »

Quotes

Short Sighted Woman: [narrating] We developed a code so that we can communicate with each other even in front of the others without them knowing what we are saying. When we turn our heads to the left it means "I love you more than anything in the world" and when we turn our heads to the right it means "watch out, we're in danger". We had to be very careful in the beginning not to mix up "I love you more than anything in the world" with "watch out, we're in danger". When we raise our left arm it means "I want to ...
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Connections

Referenced in Midnight Screenings: The Lobster (2016) See more »

Soundtracks

String Quartet in F Major, Op. 18, No. 1; II Adagio Affetuoso Ed Appasionato
Written by Ludwig van Beethoven
Performed by Juilliard String Quartet
Courtesy of Sony Music Entertainment Inc
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Frequently Asked Questions

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User Reviews

Weird, Whacky & Wicked But Also Dull, Sterile & Vapid.
18 December 2015 | by CinemaClownSee all my reviews

Weird, whacky & wicked but equally dull, sterile & vapid, The Lobster is a strange beast that actually begins quite well but tumbles down the road after the halfway mark to conclude on a rather uninteresting note. The concept is no doubt intriguing and it takes its time to make us familiar to the society inhabiting its tale but all of it doesn't amount to much in the end & it fails to leave any lasting impression.

Set in a dystopian future, The Lobster presents a world in which single people are arrested & taken to a hotel where they are obliged to find a matching partner within 45 days or they are transformed into animals & released into the woods. The plot follows David who arrives at the hotel for the same reason but his endeavours of finding a mate before his time is over ends far more tragically than he expected.

Co-written & directed by Yorgos Lanthimos, The Lobster marks his English-language debut and the idea & inspiration behind it is both clever & admirable. The sequences taking place in the hotel are nicely carried out but its second half lacks the same level of creativity that's present in the first half. The excitement goes missing once the protagonist leaves the hotel and from there on, it just limps throughout its remaining runtime.

The hotel is neatly maintained but it also has a creepy vibe about it. Camera movements are fluid, colour hues wonderfully compliment its overcast ambiance and lighting seems natural for the most part. Editing allows the plot to unfold at an unhurried pace but the whole story feels twice as long because of that, with no idea of where it's headed. Last, the background score is just as odd as the story's content and is intermittently utilised.

Coming to the performances, The Lobster features a fine cast in Colin Farrell, Rachel Weisz, Léa Seydoux, Ben Whishaw & John C. Reilly and most of them are simply bland & lifeless in their respective roles. It can be argued that the spiritless rendition of these scripted people was deliberate but it doesn't really help in enriching the experience, at all. The deadpan wit is occasionally amusing but it's also too easy to get frustrated by whatever is happening.

On an overall scale, The Lobster is an uncanny mix of bizarre ideas that, in its effort to play with multiple things at once, may end up drifting many of its viewers. While I found nothing lovable about it, its parody of the society that gives way too much credit to companionship, in addition to the dig it takes at those match-making algorithms which rely on similar traits & likeness factor is one aspect I liked but in all seriousness, The Lobster is too mediocre to be of any significance.


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