Some time after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. Bounty hunter John Ruth and his fugitive captive Daisy Domergue race towards the town of Red Rock, where Ruth will bring Daisy to justice. Along the road, they encounter Major Marquis Warren (an infamous bounty hunter) and Chris Mannix (a man who claims to be Red Rock's new sheriff). Lost in a blizzard, the bunch seeks refuge at Minnie's Haberdashery. When they arrive they are greeted by unfamiliar faces: Bob, who claims to be taking care of the place while Minnie is gone; Oswaldo Mobray, the hangman of Red Rock; Joe Gage, a cow puncher; and confederate general Sanford Smithers. As the storm overtakes the mountainside, the eight travelers come to learn that they might not make it to Red Rock after all...Written by
Misty Upham originally had a part in Django Unchained (2012) as a character named "Minny" who owned the bar in which Christoph Waltz and Jamie Foxx drink in the film. The role was deleted, and eventually the character showed up in this film, also owning a type of public house. After Upham's death, the role was kept in the film, as an homage to her, but was re-cast. See more »
Mannix uses the word "Calvary" (hill of crucifixions) when he means "cavalry" (horse-bound army). See more »
The credit includes "Checkpoint Charlie," the person whose job is to prevent anyone from entering the set with a cellphone. See more »
The 70mm Roadshow release version of 'The Hateful Eight' contains after the overture exclusive Weinstein Company logos followed by a Cinerama logo before the film begins. Later in the film after Oswaldo Mobray breaks up a fight between Marquis Warren and Sandy Smithers, the Roadshow version contains additional footage involving an exchange between John Ruth and Bob over a "half-plucked chicken", further dialogue between Sandy Smithers and Chris Mannix about Marquis Warren's incineration of Wellenbeck's Prisoner of War camp, and a brief moment in which Marquis Warren notices a jelly bean on the floor as he's refilling his coffee mug. The digital theatrical release version simply fades into to the scene where John Ruth expresses concern over the group's loyalty to Daisy Domergue. See more »
A stage play of a "Who-Done-It" murder mystery - with highly political undercurrents
OK - if you've already seen the movie and hated it, my review won't change your mind, so move along folks, move along, there's nothing to see for you here, thanks.
Now for you, dear film fan, who is about to watch 'The Hateful Eight', but who is now slightly worried because of some very mixed critical reactions - for YOU I'm writing this 100% spoiler-free review.
Judging from many comments here on IMDb and other forums, I gather that many long-time Tarantino fans apparently don't like his newest film. I had feared such a reaction as soon as I had finished watching the movie. It's obviously Tarantino's least accessible effort yet, and there's a number of reasons for that, not the least of which being that this is simply not the film most people expected (or felt they were promised). So if you haven't seen it yet and you're a bit doubtful because of the negative reviews, let me tell you: you'll likely end up loving it - as I did - IF you prepare yourself juuuust a little. And because I really liked the movie, I would like to help you do that via a short list of recommendations. Ready? Here it goes:
1. Don't go watch 'The Hateful Eight' expecting a "classic" Western. It might belong to the Western genre, but if all that talk about Ultra 70mm Panavision had you thinking of lush outdoor scenery, vast landscapes or anything resembling a Sergio Leone movie, you'll end up disappointed. There are a few nice shots showing snowy mountains, but 95% (perhaps more) of the story unfolds indoors (in one single room) - which isn't to say that the cinematography isn't absolutely fantastic. In fact, it's more than fantastic: it's stunning and worthy of an Oscar.
2. Don't expect any exciting "action" scenes (for lack of a better word: I don't mean the 'Fast & Furious' kind of action scenes) every 10 minutes or so; in fact, don't expect anything other to happen between the characters than dialog for a loooooong time. Unlike in Tarantino's previous films where we got almost "spoiled" by unexpected over-the-top moments in nearly every scene (except maybe for 'Jackie Brown' and 'Deathprooof'), this film has a very, very slow build. But: that's not to say it ISN'T exciting (or that nothing does happen) - it's just that the excitement and tension result mainly from the dialog and the excellent performances by the cast (at least for roughly two thirds of the movie).
3. Best approach this film as you would theater; for that's what 'The Hateful Eight' really is: a stage play disguised as a movie. A stage play of a "Who-Done-It" murder mystery with a touch of Agatha Christie. But then again, that's also a disguise, for the murder mystery is just a ploy to cast a look at a torn society rife with racial tension after the civil war. Which, of course, again serves as an allegory for race relations in modern-day America and as the director's angry commentary on how hateful that situation still is today, on all sides. Now that sounds awfully serious, but don't worry; despite some hard-to-stomach ugliness and the highly political undercurrent, there is plenty of Tarantino's trademark humor throughout the whole film.
4. Don't expect to find a likable character you can root for. There's a reason for the film's title, and unlike in all his previous films, there is not a single person in Tarantino's latest movie you'll feel any real sympathy for. All the main characters have committed despicable, hateful acts, and they're all beyond redemption - but that doesn't mean they're not compelling to watch (especially given THIS cast: everyone is fantastic, but Jackson, Russell, Jason Leigh and Goggins are just a joy to watch).
5. Don't expect a complex plot. In my opinion, among Q.T's films this is the one with the most straight forward and most simple plot to date, yet at the same time it's arguably his most complex - and most ambitious - film.
So, dear film fan, that's it: adhere to these here 5 "commandments", and there's a big chance you'll end up loving Mr. Banana Chin's latest oeuvre as much as I did (mind; you might love the film just as much without taking any of the above advice). I admit, it took me a while to get into this dialog-heavy stage play and would-be Western, but once I did, I never looked back (and I can hardly wait to watch it again). 9 stars out of 10.