Some time after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. Bounty hunter John Ruth and his fugitive captive Daisy Domergue race towards the town of Red Rock, where Ruth will bring Daisy to justice. Along the road, they encounter Major Marquis Warren (an infamous bounty hunter) and Chris Mannix (a man who claims to be Red Rock's new sheriff). Lost in a blizzard, the bunch seeks refuge at Minnie's Haberdashery. When they arrive they are greeted by unfamiliar faces: Bob, who claims to be taking care of the place while Minnie is gone; Oswaldo Mobray, the hangman of Red Rock; Joe Gage, a cow puncher; and confederate general Sanford Smithers. As the storm overtakes the mountainside, the eight travelers come to learn that they might not make it to Red Rock after all...Written by
On September 26, 2014, the state of Colorado signed an agreement to fund the film's production with five million dollars. The film was to be shot entirely in southwest Colorado. A nine hundred-acre, high-mesa ranch had been loaned to the production for the filming. There was a meeting on October 16th, in which the county's planning commission issued a permit for the construction of a temporary set. Principal photography began on December 8, 2014, in Colorado on the Schmid Ranch near Telluride. See more »
Judy speaks in modern New Zealand dialect, which other characters comment on. In the late 1860s, European settlement of New Zealand was too recent for that dialect to have developed. See more »
The credit includes "Checkpoint Charlie," the person whose job is to prevent anyone from entering the set with a cellphone. See more »
For it's theatrical release in India, the CBFC demanded that 1 minute and 34 seconds of cuts be made to the film removing some stronger elements of violence/gore throughout, course language and detail/dialogue relating to a scene of forced sexual activity. The cuts made are as follows: all scenes which feature shooting and violence were cut down by half of what was originally shown, the vomiting scene was reduced especially to shots of blood being vomited onto Daisy's face, reductions were also made to sight of Daisy cutting of a corpse's hand and to close-up shots of Daisy's face as she hangs from a rope in the final scene. The close-up shot of the Mexican's head being blown off after being shot was also completely removed. Further cuts were also made to the forced oral sex scene; removing all visuals of the act itself as well as toning down the visuals before the act were the nude man is seen walking through the snow. Sound edits were also made to this scene muting out some of Jackson's dialogue about the event; the phrases 'Black Pecker', 'Black Johnson' and 'Black Dingus' were all muted out along with some of the bad language used throughout the film, the terms 'bitch', 'whore' 'motherf**ker' and 'son of a bitch' were all muted out whenever used. The filmmakers were also required to attach an anti-smoking disclaimer and a health spot at the beginning (and at the middle of the film in versions with an Interval) they were also made to attach a small notice at the bottom of the screen whenever a character is seen smoking in the film. See more »
Don't believe the hype, it's okay but Tarantino can do better
So I've finally seen this much talked about film and I have to say I was a bit disappointed. The H8 is a 168 min long movie which is described as a sort of mystery thriller and a lot a noise was made (mainly by Quentin himself) when the script leaked early and therefore would harm the box office chances of this flick. The movie did indeed not make big waves money wise but that was mainly because the overly long movie does actually not amount to much story wise. In other words there is no real clue. The dialogue, normally the strongpoint of Tarantino films, is actually not that great. Conversations are drawn out without the characters actually saying anything. It does help a lot that we do get a great cast (Kurt Russel, Sam L Jackson and Jennifer Jason Leigh) because without them the movie would fall apart rather quickly. The film was shot on 2,76:1 70mm widescreen because retro elitist Tarantino thinks digital isn't good enough and I do have to say the snowy landscape shots look awesome but they make up only 2% of the flick. The rest of it is in a cabin where standard 35mm or even a digital camera could have perfectly captured the images. About the music I can be short: there is almost none. It' might have been composed by Moricone who unrightfully got an Oscar for it, but it does not add much here in this film. I'm glad I didn't see it on the big screen. It works just as well on the small screen, maybe even better coz you can pauze it to get more booze and a snack. So despite my rather harsh comments I would recommend it but know that this is far from Tarantino's best work.
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