Some time after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. Bounty hunter John Ruth and his fugitive captive Daisy Domergue race towards the town of Red Rock, where Ruth will bring Daisy to justice. Along the road, they encounter Major Marquis Warren (an infamous bounty hunter) and Chris Mannix (a man who claims to be Red Rock's new sheriff). Lost in a blizzard, the bunch seeks refuge at Minnie's Haberdashery. When they arrive they are greeted by unfamiliar faces: Bob, who claims to be taking care of the place while Minnie is gone; Oswaldo Mobray, the hangman of Red Rock; Joe Gage, a cow puncher; and confederate general Sanford Smithers. As the storm overtakes the mountainside, the eight travelers come to learn that they might not make it to Red Rock after all...Written by
The movie itself was shot on 65mm film, employing the same lenses used to shoot the chariot race in Ben-Hur (1959). See more »
Both blockhouses, the station, and the stables have clearly visible interstices between individual logs. Despite the blizzard outside, snowflakes inside the buildings fall almost perpendicular from the roof down to the floor. See more »
The credit includes "Checkpoint Charlie," the person whose job is to prevent anyone from entering the set with a cellphone. See more »
For it's theatrical release in India, the CBFC demanded that 1 minute and 34 seconds of cuts be made to the film removing some stronger elements of violence/gore throughout, course language and detail/dialogue relating to a scene of forced sexual activity. The cuts made are as follows: all scenes which feature shooting and violence were cut down by half of what was originally shown, the vomiting scene was reduced especially to shots of blood being vomited onto Daisy's face, reductions were also made to sight of Daisy cutting of a corpse's hand and to close-up shots of Daisy's face as she hangs from a rope in the final scene. The close-up shot of the Mexican's head being blown off after being shot was also completely removed. Further cuts were also made to the forced oral sex scene; removing all visuals of the act itself as well as toning down the visuals before the act were the nude man is seen walking through the snow. Sound edits were also made to this scene muting out some of Jackson's dialogue about the event; the phrases 'Black Pecker', 'Black Johnson' and 'Black Dingus' were all muted out along with some of the bad language used throughout the film, the terms 'bitch', 'whore' 'motherf**ker' and 'son of a bitch' were all muted out whenever used. The filmmakers were also required to attach an anti-smoking disclaimer and a health spot at the beginning (and at the middle of the film in versions with an Interval) they were also made to attach a small notice at the bottom of the screen whenever a character is seen smoking in the film. See more »
If your willing to jump on the bandwagon and avoid this movie just because a couple of thin skinned reviewers are complaining about all the blood and all the "n-words", then you might as well just shovel your money into Disney's pockets and see star wars because that's the movie for you. This is the first real piece of cinema that has come to the theaters this year; with all the audacity, the balls, and the fearless will to show anything on screen that real filmmakers are brave enough to commit themselves to. If all these negative reviewers would just look past the blood and the guts, they would find a truly masterful piece of cinematic art that reflects both the expertise and effort that went into making it. The storyline is a simple one, but it's told in a complex, interesting, and relatively unique way that is guaranteed to keep your eyes glued to the screen throughout the entire 3 hour run time of the movie. Tarantino's direction is unparalleled as usual, and the performance of the entire cast combined with the wonderful cinematography and deeply engaging dialogue make for a remarkably fun time at the theater, if your willing to sit through a lot of grisly violence and mean spirited subject matter. And although many people are complaining about the heavy political undertones of the film's storyline, to me that is one of the main components of this film that stands out the most. The plot of this film serves not only as a compelling metaphor for the racial tension amongst the American people immediately following the civil war, but actually manages to outline the visceral anger and unpredictability of the racial tension that the American people are facing today within society. In a world hell bent on purporting sensitivity and being politically correct, it's nice to see a movie that's willing to raise a middle finger to that social stigma so as to hold a mirror to the racial confrontations that are still plaguing the American people to this very day. Obviously this film is undoubtedly the most sick, twisted, and violent of Tarantino's filmography, and I'm willing to admit that it's not for everybody, but for those of you willing to toughen up, keep your trigger happy insecurities in check, and enjoy a mean, gritty, and badass film that offers no apologies for what it does best I highly recommend this film. And for those of you who are willing to let Tarantino's comments about the police force get in the way of your enjoyment of this film, like I said; Disney is more than willing to take your hard earned money.
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