Some time after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. Bounty hunter John Ruth and his fugitive captive Daisy Domergue race towards the town of Red Rock, where Ruth will bring Daisy to justice. Along the road, they encounter Major Marquis Warren (an infamous bounty hunter) and Chris Mannix (a man who claims to be Red Rock's new sheriff). Lost in a blizzard, the bunch seeks refuge at Minnie's Haberdashery. When they arrive they are greeted by unfamiliar faces: Bob, who claims to be taking care of the place while Minnie is gone; Oswaldo Mobray, the hangman of Red Rock; Joe Gage, a cow puncher; and confederate general Sanford Smithers. As the storm overtakes the mountainside, the eight travelers come to learn that they might not make it to Red Rock after all...Written by
After the script leaked on-line, Writer and Director Quentin Tarantino did not want to make this movie. However, after they did a brief reading of the script in Los Angeles, the cast was stunned and got excited for the film, and with Samuel L. Jackson persuading him to do this movie, Tarantino accepted. See more »
About 36 minutes in when Ruth's stagecoach first pulls up to Minnie's Haberdashery, Bob comes out to greet them. As he exits the haberdashery, the door closes firmly behind him with the pronounced audible "click" of a latch and stays closed. However, at this point the door had supposedly already been broken and should have required nails to stay closed. See more »
The credit includes "Checkpoint Charlie," the person whose job is to prevent anyone from entering the set with a cellphone. See more »
The 70mm Roadshow release version of 'The Hateful Eight' contains after the overture exclusive Weinstein Company logos followed by a Cinerama logo before the film begins. Later in the film after Oswaldo Mobray breaks up a fight between Marquis Warren and Sandy Smithers, the Roadshow version contains additional footage involving an exchange between John Ruth and Bob over a "half-plucked chicken", further dialogue between Sandy Smithers and Chris Mannix about Marquis Warren's incineration of Wellenbeck's Prisoner of War camp, and a brief moment in which Marquis Warren notices a jelly bean on the floor as he's refilling his coffee mug. The digital theatrical release version simply fades into to the scene where John Ruth expresses concern over the group's loyalty to Daisy Domergue. See more »
If your willing to jump on the bandwagon and avoid this movie just because a couple of thin skinned reviewers are complaining about all the blood and all the "n-words", then you might as well just shovel your money into Disney's pockets and see star wars because that's the movie for you. This is the first real piece of cinema that has come to the theaters this year; with all the audacity, the balls, and the fearless will to show anything on screen that real filmmakers are brave enough to commit themselves to. If all these negative reviewers would just look past the blood and the guts, they would find a truly masterful piece of cinematic art that reflects both the expertise and effort that went into making it. The storyline is a simple one, but it's told in a complex, interesting, and relatively unique way that is guaranteed to keep your eyes glued to the screen throughout the entire 3 hour run time of the movie. Tarantino's direction is unparalleled as usual, and the performance of the entire cast combined with the wonderful cinematography and deeply engaging dialogue make for a remarkably fun time at the theater, if your willing to sit through a lot of grisly violence and mean spirited subject matter. And although many people are complaining about the heavy political undertones of the film's storyline, to me that is one of the main components of this film that stands out the most. The plot of this film serves not only as a compelling metaphor for the racial tension amongst the American people immediately following the civil war, but actually manages to outline the visceral anger and unpredictability of the racial tension that the American people are facing today within society. In a world hell bent on purporting sensitivity and being politically correct, it's nice to see a movie that's willing to raise a middle finger to that social stigma so as to hold a mirror to the racial confrontations that are still plaguing the American people to this very day. Obviously this film is undoubtedly the most sick, twisted, and violent of Tarantino's filmography, and I'm willing to admit that it's not for everybody, but for those of you willing to toughen up, keep your trigger happy insecurities in check, and enjoy a mean, gritty, and badass film that offers no apologies for what it does best I highly recommend this film. And for those of you who are willing to let Tarantino's comments about the police force get in the way of your enjoyment of this film, like I said; Disney is more than willing to take your hard earned money.
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