6.3/10
110
3 user 23 critic

Unlucky Plaza (2014)

Trailer
2:05 | Trailer

Watch Now

With Prime Video

ALL
Father. Restaurateur. Hostage taker. How did one man's financial woes spiral into a harrowing crisis that captivated the world?

Director:

Ken Kwek

Writer:

Ken Kwek
2 wins & 3 nominations. See more awards »

Videos

Photos

Edit

Cast

Cast overview, first billed only:
Jeffrey Quizon ... Onassis Hernandez
Adrian Pang ... Sky / Terence Chia
Judee Tan Judee Tan ... Michelle Chan
Shane Mardjuki Shane Mardjuki ... Pastor Tong Wen
Liang Guo ... Baby Bear
Janice Koh ... Cindy
Pamela Oei Pamela Oei ... Mrs. Heng
Andrew Lua ... Ping
Christian Wong Christian Wong ... Popoy
Osman Sulaiman Osman Sulaiman ... Inspector Azman
Anita Kapoor Anita Kapoor ... Herself
Jennifer Ebron Jennifer Ebron ... Ruby
Juwanda Hassim Juwanda Hassim ... Haz
Petrina Kow Petrina Kow ... English reporter
Nicholas Lim Nicholas Lim ... Officer Wong
Edit

Storyline

Onassis Hernandez was once the proud owner of Singapore's most popular Filipino diner. But a food poisoning scandal triggered by a disgruntled cook has left him on the brink of bankruptcy. When he is further outdone by a financial scam, Onassis loses it. He takes a group of people hostage in a millionaire's bungalow and the crisis, captured on video, sparks an international outcry. Will Onassis be finally pronounced a victim or a villain? Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Sh*t hits the fan in the world's safest city.

Genres:

Comedy | Crime | Drama

Certificate:

See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Official Sites:

Official Facebook | Official site | See more »

Country:

Singapore

Language:

English | Tagalog

Release Date:

8 January 2016 (USA) See more »

Company Credits

Production Co:

Kaya Toast Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
Edit

Did You Know?

Trivia

Director Ken Kwek also shot the music video for "Riot City", the official theme song for Unlucky Plaza. The track by Singapore funk rock outfit Ugly In The Morning is played in the film's opening and end titles. See more »

Connections

References Riot City: An Odyssey (2015) See more »

Soundtracks

Bangau O Bangau
Arranged and performed by Art Fazil
P & C, 2009 - Life Record Ind.Pte.Ltd / Nusantara World Music, Singapore
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Less hostage thriller than social satire, this darkly comic crime caper jabs at our society's unglamourous corners with unpleasant - but also uneven - effect
13 April 2015 | by moviexclusiveSee all my reviews

Seeing as how Singaporeans had reacted to a Filipino group's plans to celebrate Philippine Independence Day at Ngee Ann City last year, 'Unlucky Plaza' seems to have struck with eerie prescience at the extent of our xenophobia, especially as it attempts to portray the tension between locals and foreigners through the lens of a Filipino permanent resident in Singapore struggling to make ends meet.

At the heart of writer-director Ken Kwek's darkly comic crime caper is Onassis Hernandez (Epy Quizon), a single father on the brink of financial ruin after the head cook at his restaurant in Lucky Plaza added 'shit' into the chicken adobo and landed six patrons in hospital with salmonella poisoning. As a result, Onassis is hounded by his unsympathetic lady landlord (Pam Oei) for the rent he owes and cannot even afford to ensure that his ten-year-old son Popoy (Christian Wong) has Fruit Loops for breakfast every morning.

On the ostensible other end of the 'wealth' spectrum is smarmy property guru cum motivational speaker Sky (Adrian Pang), a former actor who went by the name of Terence Chia (yes, the similarity with real-life MediaCorp actor Terence Cao is intentional and duly noted) that now lives in a sprawling three-storey bungalow in Stevens Road and drives a Porsche. But, as we quickly learn, Sky is asset-rich and cash-poor, unable to pay off the $400,000 in debt he chalked up with a loan shark. That 'shark' has since been taken over by a PRC syndicate, whose Number 3 man named Xiao Xiong (Guo Liang), literally translated as 'Baby Bear', has come to collect.

Completing the trio of narratives whose paths intersect midway into the story is Sky's unhappy wife Michelle (Judee Tan), who is constantly harangued by her husband to sell her parents' Tiong Bahru flat so that he can pay off his debt. For solace, she starts an affair with her Christian pastor Tong Wen (Shane Mardjuki), whom she eventually plots to run away with to the island paradise of Gili Meno.

Oh yes, Kwek certainly hasn't lost his edge for controversy, the former ST journalist turned scriptwriter of 'The Blue Mansion' who made his directorial debut in 2012 with the banned-then-unbanned- but-with- snips 'Sex.Violence.Family.Values' short and who is making his first feature-length film here. In the first hour, Kwek builds three interesting character studies around Onassis, Sky and Michelle, while serving up critique on some of the most prominent current social issues such as property scams, materialism, church improprieties and heightened nationalism.

And to some extent, Kwek makes good on his own promise in the latter half of the film, where an intersecting chain of events over the course of a single day lead Onassis to hold Sky, Michelle, Tong Wen and Xiao Xiong hostage. Onassis' demands? To see his son and to have a helicopter ready so he can fly himself and Popoy out. As the Malay police officer Azman (Osman Sulaiman) in charge of the situation quickly remarks and which Sky echoes later on, this isn't Hollywood - and it is clear that Kwek intends for the turn of events to be read as satire, not to be taken entirely at face value.

Alas, Kwek fumbles at trying to remain tonally consistent throughout the supposedly tense last hour. On one hand, he aims to amplify the local-versus-foreigner divide by positing that the former would respond by demonstrating with placards reading 'Singapore for Singaporeans' outside the scene of the crisis and tearing down shops that belong to the latter, but hey any Singaporean will tell you how unlikely that is given our strict laws against public assembly. On the other, he tries to find poignancy in each one of his flawed characters' own personal struggles, whether is it to come to terms with their selfishness, infidelity, or hypocrisy. Yet Kwek never quite finds the right balance to accomplish both, so much so that the two end up pulling the film in opposite directions.

At close to two hours, Kwek also cannot quite keep the same tight grip over the narrative. Despite occasional flashes of violence (including a chopped up hand), Kwek fails to replicate the white- knuckle suspense to be expected of any a hostage thriller. You'll find yourself questioning just how much of a crisis it even is when all Onassis has to hold his hostages at bay is a huge cleaver he calls 'Ah Tiong' that was passed down from generation to generation of owner of his Filipino restaurant. In fact, Kwek undermines what visceral thrills his audience might have of watching a hostage drama depicted in Singapore by a prologue at the very beginning, which sees Onassis, Sky and Michelle very much alive and healthy in a TV studio being interviewed by talk show host Anita Kapoor one year after the supposedly harrowing events.

To his credit, Kwek has assembled a great cast for his film. Award- winning Filipino actor Quizon impresses with a restrained and heartfelt portrayal of a working-class man driven to desperation. Pang brings unexpected nuance to a character which we would love to hate. Next to Quizon and Pang, Tan's slightly hollow performance doesn't register as much at the start, but becomes more subtle as she is confronted with the errors of her adulterous ways.

But for all its flaws, 'Unlucky Plaza' is uncharacteristically Singaporean. Yes, its protagonist may be Filipino, but its topics and themes are rooted deeply in our milieu, and with his latest, Kwek has probably cemented himself as one of our most iconoclast filmmakers. Even though Kwek doesn't match his ambition and derring- do with the skill to deliver an equally empathetic film, this mix of thriller and satire still is probably one of the most intriguing local films you'll see this year.


4 of 7 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 3 user reviews »

Contribute to This Page



Recently Viewed