A group of German construction workers start a tough job at a remote site in the Bulgarian countryside. The foreign land awakens the men's sense of adventure, but they are also confronted ... See full summary »
Australian western set on the Northern Territory frontier in the 1920s, where justice itself is put on trial when an aged Aboriginal farmhand shoots a white man in self-defense and goes on the run as a posse gathers to hunt him down.
Luka Magdeline Cole,
Official submission of Argentina for the 'Best Foreign Language Film' category of the 90th Academy Awards in 2018. See more »
What are you writing?
A book, Governor.
We need to draft a letter to be sealed and...
A book? A book? Make children, not books. Learn a lesson from our Magistrate, Manuel.
I can't know how my children will be. But I do know how this book will be.
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Absorbing and deeply unsettling, I enjoyed this movie but found it difficult to follow. Having not read the novel and being unfamiliar with Spanish colonial history, there was probably quite a bit I missed due to lack of education on the subject. However, I came out of the theater feeling as though I was covered in a deep tropical sweat. Like The Witch (2015), it immediately places the viewer in the film. Zama is accurate in its slow pace as a period drama on a tropical island during a time when letters from Spain took FULL YEARS to reach the colonies, and these days standard viewers may have trouble maintaining focus on the travails of one man's experience for almost 2 hours. Bursts of action actually woke older people up in the audience of the theater where I viewed it. Zama was marketed to U.S. audiences with a quickly-edited, intense trailer that had me itching to see it, while the film itself seems to have left more people scratching their heads. I'm looking forward to a second viewing, though preferably not on another humid, ninety-degree day.
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