Based on the novel by Antonio Di Benedetto written in 1956, on Don Diego de Zama, a Spanish officer of the seventeenth century settled in Asunción, who awaits his transfer to Buenos Aires.
Political and sexual repression in Hungary, just after the revolution of 1956. In 1958, the body of Eva Szalanczky, a political journalist, is discovered near the border. Her friend Livia ... See full summary »
Corbiau repeats the Farinelli formula, artistic rivalry and social private drama expressed in dazzling, sometimes excessively lavish baroque scenery, music and costume, but this time in its... See full summary »
After hitting something with her car, a bourgeois Argentine woman's life slowly descends into paranoia and isolation, as she fears she may have killed someone.
Sweden in 1782. A young nobleman, named Jacob (Per Oscarsson) returns from France to his home and cherished sister Charlotte (Bibi Andersson) who is engaged to Baron Alsameden (Jarl Kulle).... See full summary »
A Marquise who lures motorists to her hotel by sabotaging their cars gets more than she bargains for when one guest turns out to be a bank robber on the run
Director:
Philippe de Broca
Stars:
Yves Montand,
Madeleine Renaud,
Maria Schell
Based on the novel by Antonio Di Benedetto written in 1956, on Don Diego de Zama, a Spanish officer of the seventeenth century settled in Asunción, who awaits his transfer to Buenos Aires.
Official submission of Argentina for the 'Best Foreign Language Film' category of the 90th Academy Awards in 2018. See more »
Quotes
Gobernador II:
What are you writing?
Fernández:
A book, Governor.
Zama:
We need to draft a letter to be sealed and...
Gobernador II:
A book? A book? Make children, not books. Learn a lesson from our Magistrate, Manuel.
Fernández:
I can't know how my children will be. But I do know how this book will be.
See more »
Soundtracks
Siempre en mi corazón
Performed by Ernesto Lecuona See more »
Let me start by saying that I adore Herzog's "Aguirre" and Coppola's "Apocalypse Now" is one of my absolute favourite movies of all time. Contrary to what critics say, "Zama" is nowhere near aforementioned masterpieces. It is well crafted in technical terms, with great use of cinematography and sound design, but it is also self-righteous, pretentious and unbelievably boring. The characters don't evolve, the story goes nowhere, the social commentary is sparse (if any) and all you are left with is some nice shots and traits of black humour. It's not enough to constitute a good movie, obviously. If you want to see a good movie from Argentina, watch Pablo Trapero's "El Clan" instead.
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Let me start by saying that I adore Herzog's "Aguirre" and Coppola's "Apocalypse Now" is one of my absolute favourite movies of all time. Contrary to what critics say, "Zama" is nowhere near aforementioned masterpieces. It is well crafted in technical terms, with great use of cinematography and sound design, but it is also self-righteous, pretentious and unbelievably boring. The characters don't evolve, the story goes nowhere, the social commentary is sparse (if any) and all you are left with is some nice shots and traits of black humour. It's not enough to constitute a good movie, obviously. If you want to see a good movie from Argentina, watch Pablo Trapero's "El Clan" instead.