When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the United States. These two elite secret organizations must band together to defeat a common enemy.
In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
Kristin Scott Thomas
Hercule Poirot, the best detective in the world decides to leave on the Orient Express. The train accidentally gets stopped because of a small avalanche. Little did he know that a murder was planned and that a person on this train was able of committing such crime. Will he solve this murder before the train starts working again?Written by
There was in fact one murder on The Orient Express. Maria Farcasanu was robbed and murdered by Karl Strasser, who pushed her out of the moving train. This happened approximately one year after Agatha Christie's book was published. Also, in 1950, Simon Karpe disappeared from the train under suspicious circumstances involving espionage; some elements of which inspired Ian Fleming's From Russia with Love. See more »
On just about every scene Poirot's goatee has either a different shape or different hair patterns. With prominent gray hairs you easily spot the lack of continuity. This is very strange for a character that supposedly has OCD and such a prominent visual characteristic. See more »
This movie is actually a piece of art. It takes a really true artist to ruin Agatha Christie at her best and a Dench-lead cast and come up with a boring Branagh soliloquy. What he has made out of Poirot, it's just unbelievable. I don't remember him being described as a walrus in any of the books where he also has converstations with all involved so that readers/audience can participate somehow. In this movie it's just Branagh, he knows it all, he sees it all and he understands it all. Out of thin air. Such wonderful actors were gathered for this monstrosity and it felt as is they were there only a set for Branagh. And oh yes, when talking about scenery - which ignorant fool came up with alps between Vinkovci and Brod??????? The thing is, there is nothing going on in this film, no suspension building up, no substance. It is just a pale vessel for Kenneth Branagh to try shining.
Watch 1974 Lumet version. And from what i hear, it's going to be a sequel, Death on the Nile. Watch 1978 John Guillermin version. Branagh should.
My review does not contain spoilers, there's not enough substance to spoil anything.
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