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Sicario (2015)

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An idealistic FBI agent is enlisted by a government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico.

Director:

Denis Villeneuve

Writer:

Taylor Sheridan
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Popularity
347 ( 56)

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Cast

Cast overview, first billed only:
Emily Blunt ... Kate Macer
Benicio Del Toro ... Alejandro
Josh Brolin ... Matt Graver
Victor Garber ... Dave Jennings
Jon Bernthal ... Ted
Daniel Kaluuya ... Reggie Wayne
Jeffrey Donovan ... Steve Forsing
Raoul Max Trujillo ... Rafael (as Raoul Trujillo)
Julio Cesar Cedillo ... Fausto Alarcon
Hank Rogerson ... Phil Coopers
Bernardo Saracino ... Manuel Diaz
Maximiliano Hernández ... Silvio (as Maximiliano Hernandez)
Kevin Wiggins ... Burnett
Edgar Arreola ... Guillermo
Kim Larrichio Kim Larrichio ... Silvio's Wife
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Storyline

When drug violence worsens on the USA Mexico border, the FBI sends an idealistic agent, Kate Macer (Emily Blunt) on a mission to eradicate a drug cartel responsible for a bomb that had killed members of her team. Written by Gusde

Plot Summary | Plot Synopsis

Taglines:

The border is just another line to cross.


Motion Picture Rating (MPAA)

Rated R for strong violence, grisly images, and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Mexico

Language:

English | Spanish

Release Date:

2 October 2015 (USA) See more »

Also Known As:

Sicario See more »

Filming Locations:

Albuquerque, New Mexico, USA See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$401,288, 18 September 2015, Limited Release

Gross USA:

$46,889,293

Cumulative Worldwide Gross:

$84,872,444
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Dolby Atmos | Auro 11.1 | DTS (DTS: X)

Color:

Color | Black and White (surveillance footage)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

While in the motel conducting surveillance with the use of a drone and looking at Manuel Diaz' home, the latitude/longitude (31 15 25.9N, 110 53 23.5W) is actually a location in the desert in Nagales, Sonora Mexico not a location is the US. See more »

Goofs

(at around 33 mins) Camera car extension visible in Federal police car window. See more »

Quotes

Phil Coopers: [assuring Kate] Advisors like Matt come in, they stir the pot, they cause the criminals to react and make mistakes. That's how we build cases against the individuals that actually make a difference in this fight. It's when they're nervous, when they stop trusting their crews, when they move their money. These are all opportunities to strike. And that's the purpose of people like Matt.
Dave Jennings: Kate, this isn't something that I dreamed up myself. I don't have the authority to hire advisors, or authorize ...
See more »

Connections

Followed by Sicario: Day of the Soldado (2018) See more »

Soundtracks

Cowboy's Duty
Written by Aron Leigh, Phil Barton & Mike Ulvila
Performed by Aron Leigh
Courtesy of Watsky Music, LLC
See more »

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User Reviews

 
a big bravo to Villeneuve and his crew
24 December 2015 | by lasttimeisawSee all my reviews

The premise of Denis Villeneuve's latest picture SICARIO sounds like a top-form police procedural, a CIA elite squad vs. a Mexican drug cartel, Emily Blunt plays Kate, acts a surrogate for audience, who is an FBI SWAT agent, wide-eyed but enterprising in her field of work, volunteers to join the special division, lead by Matt Graver (Brolin), to track down the big boss behind the cartel in Mexico. But as the film explains in its first scene, SICARIO means hit-man in Spanish, so who is this hit-man? This is a vital question.

We faithfully empathises Kate's perplexity as the mission goes on, where she begins to question the unorthodox method of Matt and Alejandro (del Toro), Matt's partner, and is constantly aggravated by being kept in the dark about their black ops. But the whole process will eventually evolve into a shock treatment for her idealistic faith, what behind the whole plan is beyond her widest imagination and comprehension, after being nearly strangled to death, shot by her own people and hectored to sign her signature to approve something sheer against her principle, until her final scene, a silent capitulation aptly and soundingly strikes the bull's-eye, a tough lesson about the unapologetic nihilism of our present society, which very likely is also the inconvenient truth. Emily Blunt pluckily takes up the gauntlet to challenge the glass ceiling, materialises as a tower of strength in this men's business, a tragic heroine, solemnly stomaches a nasty reality check.

Josh Brolin plays in his comfort zone with his craftiness and insolence, whose opportunistic characteristic positions Matt's seemingly-righteous métier in a grey zone. But the film's MVP title unequivocally belongs to del Toro's Alejandro, stuns with his all-out reserved gravitas and a steely resolution for retribution, gradually reveals his true colours as a cut-throat angel-of-death and a proficient marksman in the third act (he is the said hit-man we are looking for), leads towards a series breathless encounters with the wrongdoers of the drug ring and an ultimate face-to-face with Kate, he is the most chilling character on screen after Javier Bardem in NO COUNTRY FOR OLD MEN (2007), if ever the movie will collect any Oscar love in the acting branch, he is the most entitled one.

After his Hollywood one-two punch PRISONERS (2013) and ENEMY (2013), Villeneuve's directorial finesse again being appraised here, and he is such a first-rate ambiance deviser, together with the assistance of Jóhann Jóhannsson's stirring score, the thumping drumbeat in the opening is so palpable to set the mood upon that right vibe, yet, Villenueve knows the boundary, he doesn't overly resort to shock value to keep audience on the edge of the seat, which is brilliantly testified by the opening gambit with exchanges of fire, sudden explosion and ghastly cadavers. In a much wiser strategy, he makes good use of DP Deakins' majestic camera-work to varnish the film with a sublime tinge of poise and magnificence, like the breathtaking aerial shots, striking environmental palettes or the novel usages of thermal vision and night vision frames, they are where cinema finds its most glorious and enthralling achievement, a big bravo to Villeneuve and his crew, soon he will become a juggernaut in the Hollywood industry, and his next project on the slate is the long-waited sequel of BLADE RUNNER (1982), since it might actually be the rare kind that does not sully its predecessor's reputation, shall we all drink to that?


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