The mixed-race daughter, Dido Elizabeth Belle (Gugu Mbatha-Raw), of Royal Navy Captain Sir John Lindsay (Matthew Goode) is raised by aristocratic Great-uncle Lord William Murray, 1st Earl of Mansfield (Tom Wilkinson) in eighteenth century England.
The final Viceroy of India, Louis Francis Albert Victor Nicholas Mountbatten, 1st Earl Mountbatten of Burma (Hugh Bonneville), is tasked with overseeing the transition of British India to independence, but meets with conflict as different sides clash in the face of monumental change.
At 17 LeighAnne Williams has a six month old baby to look after, with only the help of three teenage squatters who flog stolen gear to make ends meet. A neighbour (actually from Turkey) ... See full summary »
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
In the late 1940s, Prince Seretse Khama of Bechuanaland is studying law in Britain in preparation for his eventual ascension to the throne. There, the dashing prince falls in love with a white British clerk, Ruth Williams, and they plan to marry. While they suspect that his uncle, the Regent, would disapprove, nothing prepares them for the diplomatic firestorm and domestic political tumult their defiant love would spark. Now facing a citizenry leery of a white Briton as their Queen, the international opposition is even more unyielding from the British holding their land as a protectorate and fearful of South Africa's racist backlash to this affront to their apartheid domination. Against all odds, King Khama and Ruth must struggle to maintain their love and help their people in a land that would become the Republic of Botswana.Written by
Kenneth Chisholm (email@example.com)
Jazz swing favourite Adam Topliss has been cast in an undisclosed role. See more »
When husband and wife arrive in the blue sedan at the Palapye Hotel, Rosamund Pike looks to her right and observes a man and woman being seated at a table outside the hotel. She then looks to her left and the same man and woman can be seen walking toward the hotel with a hotel porter carrying their bags. See more »
No Baby, No Nobody But You
Lyrics and Music by Seger Ellis
Performed by Stan Kenton and June Christy
Published by EMI United Partnership Ltd/EMI Music Publishing Ltd
Licensed Courtesy of Capitol Records Inc.
Under Licence from Universal Music Operations Ltd See more »
A credit to all involved
In the hands of a lesser director than the hugely talented Amma Asante, "A United Kingdom" might have been nothing more than another inter-racial romance cloaked in a veil of sickly sentimentality but, like "Belle" before it, this remarkable film works both as a genuinely moving love story but, more significantly, as a powerful political tract that draws attention to a very shameful period in recent British history with neither the Tory nor Labour governments coming out of it smelling of roses.
It is the story of Seretse Khama, heir to the throne of Bechuanaland, now Botswana, who, while a student in London, fell in love with and married Ruth Williams, English and, more crucially, white bringing her back to his homeland as his queen, much to the chagrin and disapproval of both the British and South African governments and his own people. However, like all good love stories, if not quite all fairy tales, Ruth's tenacity soon wins over the people of Bechuanaland while the jaundiced, racist government of the UK proves a somewhat greater obstacle.
The events portrayed in the film actually took place but until now haven't't been much discussed here in the UK. Even today inter-racial love stories can be unpopular and sadly racism remains a major issue that has yet to be eradicated. It is testament to both Seretse and to Ruth that their actions were finally instrumental in bringing democracy to Botswana with Seretse renouncing his kingship and becoming the first democratically elected president of his country.
In these roles both David Oyelowo and Rosamund Pike are superb and there is sterling work from an outstanding supporting cast. If the feelgood factor seems at times a tad on the heavy side in Guy Hibbert's screenplay it is still heartening to see a movie about love and about race that is largely unsentimental and politically astute. It is also gorgeously shot by Sam McCurdy and is a credit to all involved.
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