In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
Since the dawn of civilization, he was worshiped as a god. Apocalypse, the first and most powerful mutant from Marvel's X-Men universe, amassed the powers of many other mutants, becoming immortal and invincible. Upon awakening after thousands of years, he is disillusioned with the world as he finds it and recruits a team of powerful mutants, including a disheartened Magneto, to cleanse mankind and create a new world order, over which he will reign. As the fate of the Earth hangs in the balance, Raven with the help of Professor X must lead a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction.Written by
20th Century Fox
During communism in Poland the law was upheld by Militia rather than police. The scene in question is set in 1983 whilst Poland was still communist. See more »
Mutants: born with extraordinary abilities, and yet still, they are children stumbling in the dark, searching for guidance. A gift can often be a curse. Give someone wings, and they may fly too close to the sun. Give them the power of prophecy, and they may live in fear of the future. Give them the greatest gift of all, powers beyond imagination, and they may think they are meant to rule the world.
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SPOILER: There is a scene at the end of the closing credits: Men from Essex Corporation (run by X-Men villain Mister Sinister, aka Nathaniel Essex) arrive at the Weapon X base and collect samples of Wolverine's blood. This leads into Logan (2017). See more »
One of the best superhero films ever made leaves early reviewers clueless
X-Men: Apocalypse is absolutely amazing! The early reviewers don't seem to understand these characters and they don't understand this film. It sets a new precedent for comic book films in a world over-saturated with adaptations.
The film hits every nostalgic and aesthetic beat it's supposed to without devolving into pure fan service. The writing is great. The allegory the mutant plight is for civil rights is given its due screen time. The characterization of the superheroes goes beyond their powers and outfits and at least touches the heart of who they are as people. Its main fault is juggling so many characters and so some of the acting comes off as stilted at times. In a way this is also its strength, because it manages to tell a coherent and compelling narrative with a large ensemble cast of characters, emulating the source material faithfully. It is a comic book fan's film.
The action scenes are epic in scope, with stakes so high you'll be on the edge of your seat with you eyes transfixed on the action, yet never does the pacing sacrifice plot or character development for obligatory spectacle. Everything is purposefully sensational.
As someone who was born in the 80s and experienced these characters' evolution through popular culture onto the big screen, I can say that X-Men: Apocalypse brings the flavor of the comics and the 90s TV show to the big screen in a way that children of the 80s and 90s love.
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