This film from acclaimed theater director Lonny Price charts the journey of the original cast of Stephen Sondheim's "Merrily We Roll Along" in the 30-plus years since the musical debuted on Broadway at the Alvin Theatre in 1981.
Following five couples and their friend Robert (Neil Patrick Harris), the perpetual bachelor, Company explores the true meaning of being in a relationship through a series of vignettes. ... See full summary »
Neil Patrick Harris,
Stephen Sondheim's musical "Company" opened on Broadway in the Spring of 1970, and tradition dictates that the cast recording is done on the first Sunday after opening night. D.A. ... See full summary »
Another dazzling suburban phantasm from writer-director Todd Haynes, Dottie Gets Spanked (made post-Poison and pre-Safe) is a stylized, bittersweet nod to his childhood fascination with I ... See full summary »
J. Evan Bonifant,
It's 1959 in a seedy bar in Philadelphia, and Billie Holiday is giving one of her last performances interlaced with salty, often humorous, reminiscences to project a riveting portrait of the lady and her music 4 months before her death.
This movie is a recorded performance in concert. It all begins when Benjamin Barker( George Hearn), a mysterious,quiet,and subtle barber, returns to his hometown in London after escaping ... See full summary »
Neil Patrick Harris
This is a wonderful documentary, composed chiefly of interviews Stephen Sondheim has given in the past, with the addition of the musical numbers, some specifically filmed for this HBO documentary.
And it is one of those versions I want to address: James Lapine's filmed version of "Opening Doors" from "Merrily We Roll Along." It stars Darren Criss, Jeremy Jordan, and America Ferrara, and I truly wish this version was available as a full-length film version of the difficult- to-produce musical. It brought back the magic I felt seeing this in a 1982 version in Washington DC and later in a 1983 Los Angeles Equity production. Subsequent revisions of the script and songs have left me feeling flat, including the much-raved-about recent London production. These three actors have the charm and innocence and musical presence that was required of the original roles, and they recreate the period and excitement with thrilling results. During their number, I kept thinking, "Where is this version?! Why isn't there a movie version with this cast?" Kudos to all involved in truly bringing back to life "Merrily We Roll Along" (and to that sly actor singing about songs having "hummable" and "memorable" melodies).
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