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Angry Indian Goddesses (2015)

2:20 | Trailer
A photographer invites her closest friends to vacation at her family's home in Goa in celebration of her upcoming marriage.


Pan Nalin
2 wins & 1 nomination. See more awards »



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Credited cast:
Sarah-Jane Dias ... Frieda Da Silva
Rajshri Deshpande ... Lakshmi
Sandhya Mridul ... 'Su' Suranjana
Amrit Maghera ... 'Jo' Joanna
Pavleen Gujral ... 'Pammy' Pamela Jaswal
Anushka Manchanda ... 'Mad' Madhurita
Tannishtha Chatterjee ... Nargis Nasreen
Rest of cast listed alphabetically:
Anuj Choudhry ... The Neighbour
Jeffrey Goldberg Jeffrey Goldberg ... Chris
Adil Hussain ... Police Superintendent
Aditya Suhas Jambhale Aditya Suhas Jambhale ... Lallan
Vikram Kochhar ... Agent
Arjun Mathur ... Zain
Kkunal Shinde Kkunal Shinde ... Supporting (voice) (as Kunal Shiinde)


India's FIRST female buddy movie! A power packed comic drama about Indian women finding their hearts and loosing their heads! A wild bunch of girls from all over India descent upon Goa! Their closest friend FREIDA has invited them to her family home for a surprise announcement : she's getting married! Thus begins an impromptu bachelorette. A riotous roller coaster of girl bonding: friendships, breakups, make ups, screw ups, passion, devastation, hesitation, terrorization, realization, boom- explosions! Among the fun and frenzy, heart breaks and heart aches, passion and obsession, youth and innocence, emotions run high and dry and hidden secrets surface. The girls go on living life like there is no tomorrow, oblivious of the impending doom upon them...

Plot Summary | Add Synopsis


Comedy | Drama


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Parents Guide:

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India | Germany



Release Date:

4 December 2015 (India) See more »

Also Known As:

7 Göttinnen See more »


Box Office

Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

D-Cinema 48kHz 5.1



Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


About 500 girls applied, about 200 girls were auditioned and finally Seven of them were cast in and as ANGRY INDIAN GODDESSES. See more »


At one point, the women talk about homosexuality. They use the term 'Article 377', which is a common mistake of most of us. Later, towards the end of the movie, when a police inspector mentions this topic, he uses the correct term 'Section 377'.

While the general public thinks it is Article 377 (which refers to the Constitution), the authorities know it is Section 377 (which refers to the Indian Penal Code). See more »


by Cyril Morin
from the soundtrack of Ayurveda directed by Pan Nalin
produced by Monsoon Films, Pandora Filmproduktion, Sunrise Filmvertriebs AG
See more »

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User Reviews

Do watch this realistic soul searching journey into a woman's life in spite of an avoidable filmy climax and few clichéd insertions.
2 August 2016 | by bobbysingSee all my reviews

Clearing the misconception one might have reading the tag line of the review first, this is not any heavy, off-beat, slow moving artistic film, over indulged in the self-realization of its various characters pointing towards the suppressed woman-power in our Indian society. Instead this is thankfully a pleasant fun loving film that begins on an interesting note and then keeps you engrossed for a major chunk of time till the writer-director fall short of ideas and bow down to a predictable Bollywood kind of ending spoiling the great buildup. However the exceptional USP of the film remains that the fun element here completely belongs to the ladies alone without any major male-bashing, talking more about themselves than the people (or men) around in their individual lives.

As far as story plot goes it doesn't have anything substantial to deal with revolving around a Goan girl inviting her group of old time friends for an undisclosed special occasion, with the entire focus on how they all live those few days revealing, discussing and sharing their individual stories of joy, pain, sorrows and doubts together in a spirited manner. So it begins as a fun time watch with some fine innovative introductions and then the first half turns out to be quite a fresh, light & breezy experience for the viewers, especially the women relating to the proceedings on a more personal level. But sadly as soon as the focus shifts from their individual characters to some unfortunate, shocking happening on a beach party in its second half (forcibly justifying its title with a reference of Goddess KALI), the film starts faltering and you wish they could have found a different culmination maintaining the excellence thoroughly enjoyed in its superb first half.

Having said that ANGRY Indian GODDESSES still deserves to be seen as a must, not only because of the fresh look given by a remarkable camera-work capturing the free-spirited locations of Goa but more importantly for the ladies and their entertaining performances with minimal make up and all natural expressions in their free, effortless conversations on screen (that sadly also get screwed up by the beeps added by our honourable Censor Board as usual). Nevertheless the good news is that at last here we have a film specifically celebrating the womanhood that can easily be called 'A rare female buddy film' surprisingly coming from a male director Pan Nalin, perfectly understanding the subject (talking about the opposite sex) in an amazing, worth-praising manner. No doubt the credit here also goes to the dialogue writer penning some highly relatable lines spoken in the language of our daily vocabulary. But the biggest applause surely has to be for the ladies who do contribute the most in this fun-filled ride that would instantly find a connection with the women audience in particular.

In short here we have a bunch of old time friends, remembering their nostalgic times spent in the college and then sharing the later years fighting their individual battles with the inner and outer world together dealing with the men (and women) in their lives. They complain, tease, laugh, cry and hug each other with love and affection along with mentioning the known atrocities widely practiced against women in our male oriented society. But still don't get into any major male bashing mode unnecessarily, that truly works for the film in totality.

Yes, the film does try to cater too many themes in its limited duration of two hours like career struggle, suicidal tendencies, homosexuality, childlessness, divorce, social outburst against capitalists, rape, comment upon the modern dress code of women, role of police & politicians in tackling gruesome crimes and revenge considered as the last resort by the common man or woman. Yet a pretty balanced handling of the sequences by its thoughtful director doesn't let the film become anything close to a heavily preachy or a message oriented one until its last 20 minutes to be precise. Plus a few experimental kind of tracks (and background score) keeps the fun spirit alive till it all gets down to a highly unoriginal and avoidable climax that certainly should have been given a second thought by the makers rectifying the big mistake.

Anyway, coming to the best feature of the film, i.e. its performances, here we have Sarah Jane Dias as the Goan photographer inviting them all, Rajshri Deshpande as her lonely local maid, Sandhya Mridul - the tough businesswoman having a young daughter , Anushka Manchanda - a disturbed struggling singer, Amrit Maghera - a half British actress trying her luck in Bollywood, Pavleen Gujral - a typical housewife suffering the pain of being a childless wife and Tannishtha Chatterjee - a strong minded social activist along with Adil Hussain playing the uncaring police officer making a last moment entry in the film's lackluster finale.

In all, ANGRY Indian GODDESSES needs to be seen for its collective on screen chemistry between the seven leading ladies performing superbly in their respective roles having a real good time together. Thankfully the film is not interested in making any strong social statement about the plight of an exploited Indian women (as expected by many) and remains more like a DIL CHAHTA HAI or ZINDAGI NA MILEGI DOBARA kind of attempt made from the women's perspective giving them the much deserving space and attention on the silver screen like never before. So the soul searching here is more about the individual identities alone and not as a society as a whole that might disappoint a major section of viewers expecting the same.

Hence coming out of that 'routine mode of expectancies', do watch it as a fun filled 'women oriented' film featuring some fabulous natural performances, that could have been a much more enjoyable enriching experience with a different uplifting climax unarguably.

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