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Burying the Ex (2014)

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A guy's regrets over moving in with his girlfriend are compounded when she dies and comes back as a zombie.



(screenplay by)
2 wins & 1 nomination. See more awards »





Credited cast:
... Max
... Evelyn
... Olivia
... Travis
... Crusty Old Cop
... Chuck
... Disgruntled Customer
... Goth Girl #1 / Demetria
... Goth Girl #2
... Bartender
... Kat
... Kendra
... FHM Centerfold (as Katie Ross)
John Hora ... Grumpy Customer
Rest of cast listed alphabetically:
Henry Stanny ... Bearded man who walks out of cinema


When Max (Yelchin) learns that his new live-in girlfriend, Evelyn (Greene) is controlling and manipulative, he is afraid to end the relationship. However, fate occurs and Evelyn is killed in a freak accident. A couple months have passed and Max meets his dream girl, Olivia (Daddario). The new romance gets tricky when Evelyn comes back from the grave and insists on continuing their once relationship by all means. Written by PallasBrenna

Plot Summary | Add Synopsis


Some relationships just won't die.


Comedy | Horror | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content, partial nudity, some horror violence, and language | See all certifications »

Parents Guide:





Release Date:

19 June 2015 (USA)  »

Also Known As:

Sahraniti Bivšu  »

Filming Locations:


Company Credits

Show more on  »

Technical Specs



Aspect Ratio:

2.35 : 1
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Did You Know?


When Max and Evelyn are having sex at the beginning of the film, the movie Fright Night (1985) is playing on the TV. Anton Yelchin played the lead role in the 2011 remake, Fright Night (2011). See more »


At one point early in the movie, Evelyn tells Max he should "replace those incandescent tubes, and get some compact fluorescents". The bulbs shown are in fact fluorescent tubes (not incandescent), and compact fluorescent bulbs would not work in that type of fixture. See more »


Evelyn: Can't we just go back to the way things were?
Max: You're dead to me.
See more »

Crazy Credits

A scene is shown after the credits. It shows the use of a special effect. See more »


Remake of Burying the Ex (2008) See more »


End Title
From Six Bridges to Cross (1955)
Composed by Herman Stein (ASCAP)
Gilead Music Co. (ASCAP)
Courtesy Monstrous Movie Music
See more »

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User Reviews

Not bad but not particularly good either
9 August 2015 | by See all my reviews

Wuss (Anton Yelchin) works up the courage to break up with his girlfriend (Ashley Greene) but, before he can go through with it, she's hit by a bus and killed. Just as he is about to start a new relationship with another hottie (Alexandra Daddario), the dead girlfriend returns as a zombie.

I had a hard time liking Anton Yelchin's character. He's this wimpy hipster unmotivated guy that I doubt I could stand for five minutes in real life. Surprisingly, there's no mention of his smoking weed as there usually is with characters like this. You're slacking on your clichés, Joe Dante. He also doesn't contribute much in the humor department. That's left on Ashley Greene's shoulders. Oliver Cooper plays Yelchin's half-brother, which is itself supposed to be a joke of some kind. It's repeated throughout the movie despite never being funny. Some people have half-siblings. I don't get what's funny about that. Outside of that 'joke,' he's pretty much the Jonah Hill character. You know, the fat gross guy who is inexplicably attractive to women and whose material is something that was envelope-pushing decades ago but now seems trite. Consider yourself warned he is naked in this so don't eat while watching. As for Ashley Greene, she owns this thing. She delivers all of the movie's laughs and things just seem less interesting when she's off-screen. Sexy Alexandra Daddario is given little to work with but does fine.

I'm glad to see Joe Dante is still around and hasn't completely lost it. I mean, this is nowhere near the stuff he made in his prime, but it's better than anything John Landis has made lately. It's got a lot of the expected Dante touches (perhaps too many), such as old horror movies constantly playing in the background, a moving truck with the name Romero on it, and an amusing guest appearance from Dick Miller. It almost feels like Dante is homaging himself at this point. Aside from these touches, there really is nothing about this that stands out from a thousand other directors with less status. The movie looks as though it could have been made for television, honestly. It's a watchable horror comedy, funny in parts and gross in others. Worth a look but don't expect much.

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