When a sabotaged experiment gives him super strength and unbreakable skin, Luke Cage becomes a fugitive attempting to rebuild his life in Harlem and must soon confront his past and fight a battle for the heart of his city.
Set a few months after the events of the second season of Daredevil, and a month after the events of Iron Fist, the vigilantes Daredevil, Jessica Jones, Luke Cage, and Iron Fist team up in New York City to fight a common enemy: The Hand.
Following the tragic end of her brief superhero career, Jessica Jones tries to rebuild her life as a private investigator, dealing with cases involving people with remarkable abilities in New York City.
In 1946, Peggy Carter is relegated to secretarial duties in the Strategic Scientific Reserve (SSR). When Howard Stark is accused of treason, he secretly recruits Peggy to clear his name with the help of his butler, Edwin Jarvis.
Spoiled billionaire playboy Oliver Queen is missing and presumed dead when his yacht is lost at sea. He returns five years later a changed man, determined to clean up the city as a hooded vigilante armed with a bow.
After a sabotaged experiment leaves him with super strength and unbreakable skin, Luke Cage becomes a fugitive trying to rebuild his life in modern day Harlem, New York City. But he is soon pulled out of the shadows and must fight a battle for the heart of his city - forcing him to confront a past he had tried to bury.Written by
Stunt coordinator James Lew coined the term "smack-fu" to described the non-lethal backhanded blows delivered by Luke during his fight scenes. See more »
Behind the desk in Cottonmouth's office is a very fancy type of flat panel TV that actually mechanically extends from the wall and flips the screen so that one side is a TV monitor while the other is a painting or some other form of art. In some scenes throughout the first 6 episodes or so, there is a small black reading lamp that appears only when the "art-side" is facing out, almost as if the set dressers forgot there was a TV on the other side and that the lamp would have been knocked over if anyone ever turned on the TV. See more »
John 'Bushmaster' McIver:
Them call me Bushmaster.
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The first season has its episode titles named after a Gang Starr song.
I was looking forward to this more so than the other Marvel Netflix shows, but Luke Cage is easily the weakest of the bunch.
The show improves throughout its run, but it really only picks up over the last few episodes. The story is not compelling, the acting is troublesome at times (mostly early on), and Cage's story arc and motivation (or lack thereof) leaves much to be desired for most of the first season. At times it's hard to believe he's the same character who first appeared in Jessica Jones.
The biggest issue is the tedium. The director appears to have a problem with story telling, but the real issue is there just isn't enough material to fill each episode. Every hour drags on and on. It's awkwardly punctuating by musical numbers that will not be appealing to most viewers with frequent cuts back and forth which simply interrupt the consequential moments of each episode instead of accentuating them.
The villains are too weak for the season to drag on as it did. Cage is very overpowered in this series (far more powerful than in Jessica Jones) and there's no plausible reason he doesn't mop things up by the end of the first few episodes. To account for this, much of the show is filler. Some of the reviews I've seen remark how much character development there is on the supporting cast as one of the show's strengths. Honestly, it seems to be a glaring weakness. Not only is this too, filler, the character development is poor. It not only doesn't explain who these people really are and in fact detracts from the characters as you see how weak and ineffectual the rest of the cast is.
In reality, Cage could have pimp slapped the villain out of Harlem at any point in the entire series and they could have moved on to a new and better story line.
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