When a sabotaged experiment gives him super strength and unbreakable skin, Luke Cage becomes a fugitive attempting to rebuild his life in Harlem and must soon confront his past and fight a battle for the heart of his city.
Following the tragic end of her brief superhero career, Jessica Jones tries to rebuild her life as a private investigator, dealing with cases involving people with remarkable abilities in New York City.
Set a few months after the events of the second season of Daredevil, and a month after the events of Iron Fist, the vigilantes Daredevil, Jessica Jones, Luke Cage, and Iron Fist team up in New York City to fight a common enemy: The Hand.
In 1946, Peggy Carter is relegated to secretarial duties in the Strategic Scientific Reserve (SSR). When Howard Stark is accused of treason, he secretly recruits Peggy to clear his name with the help of his butler, Edwin Jarvis.
Spoiled billionaire playboy Oliver Queen is missing and presumed dead when his yacht is lost at sea. He returns five years later a changed man, determined to clean up the city as a hooded vigilante armed with a bow.
After a sabotaged experiment leaves him with super strength and unbreakable skin, Luke Cage becomes a fugitive trying to rebuild his life in modern day Harlem, New York City. But he is soon pulled out of the shadows and must fight a battle for the heart of his city - forcing him to confront a past he had tried to bury.Written by
Behind the desk in Cottonmouth's office is a very fancy type of flat panel TV that actually mechanically extends from the wall and flips the screen so that one side is a TV monitor while the other is a painting or some other form of art. In some scenes throughout the first 6 episodes or so, there is a small black reading lamp that appears only when the "art-side" is facing out, almost as if the set dressers forgot there was a TV on the other side and that the lamp would have been knocked over if anyone ever turned on the TV. See more »
The first half of season one rocked--the second half flopped.
Excellent acting performances for complex characters, masterful integration of powerful music, introspection and confrontation with current social issues--all highlights of the first several episodes.
Unfortunately, as the season progressed, one could sense that whoever was driving this bus fell asleep, or was otherwise distracted. A couple of scenes were reminiscent of old Batman and Robin episodes. B-rated, campy, predictable dialog replaced the eloquence of the early episodes. Logical progression of plot lines and at least cursory explanations of how this-lead-to-that were ignored. All capped with an uninspired, unsurprising finale.
My hope is the show will learn from its mistakes, correct the flaws, and become even better next year.
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