A slave-turned-gladiator finds himself in a race against time to save his true love, who has been betrothed to a corrupt Roman Senator. As Mount Vesuvius erupts, he must fight to save his beloved as Pompeii crumbles around him.
When Mother Malkin, the queen of evil witches, escapes the pit she was imprisoned in by professional monster hunter Spook decades ago and kills his apprentice, he recruits young Tom, the seventh son of the seventh son, to help him.
An ex-C.I.A. operative is brought back in on a very personal mission and finds himself pitted against his former pupil in a deadly game involving high level C.I.A. officials and the Russian President-elect.
An ex-CIA agent and his estranged daughter are forced on the run when his employers erase all records of his existence, and mark them both for termination as part of a wide-reaching international conspiracy.
MI5 personnel are caught up in a traffic jam in London while escorting the CIA's most wanted terrorist to an arranged CIA handover point, when he is suddenly rescued by armed men on motorbikes. Harry Pearce, the head of Counter-Terrorism at MI5 is blamed for the terrorist escaping. Especially as Harry disappeared shortly after the incident. An ex-agent, Will Holloway, and protégé of Harry's is recalled by MI5 to assist in finding and bringing Harry in. However Harry has disappeared for a reason. Certain that there is a traitor in a senior position in MI5, he enlists the somewhat reluctant Will to help him in uncovering the rat or rats concerned.Written by
Passengers travel on the shuttle train after going airside through security at Heathrow Terminal 5 to get to the 5B terminal and not before clearing security as depicted in the chase between Holloway and the MI5 officers.
(This sequence was originally scripted to be at Gatwick Airport - which does have shuttle trains between terminals. The sequence of events was kept for dramatic effect when production opted to shoot at Heathrow instead.) See more »
I spy with my little eye, something beginning with - R. If you can't get it, you do a forfeit.
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I am a humongous fan of the Spooks TV series (MI5 to our American friends) and really got my hopes up when I found out a feature film was coming out as a follow up to the ending of series 10, which did itself need a lot of redeeming.
If you're a fan of gritty British films, and prefer Tinker Tailor Soldier Spy over your run-of-the-mill bullet fest, this film could well be for you. Strong cinematography throughout, and it's clear that this is written - in a way - to honor Spooks and keep it alive, but little things like the set design of the new Grid just ruin the atmosphere that the old Spooks stayed strict to, for a reason. That however was nowhere near as bad as the films "Main" characters. I say "Main" because there weren't really any, just a group of monotone bores, a youthful touch from Kit Harrington (the writer personifies his idea of revitalizing the show) and Peter Firth, stretching his ability to always be the rock of the team to the limit by making him the only life in the movie.
It's amazing that throughout the first 6, maybe 7 series of Spooks, every spectator felt like they were watching a 2 hour film squeezed into an hour slot. Spooks:The Greater Good feels like a 50 minute TV show stretched into 104 minutes, without any added storyline or plot developments.
If you've never watched Spooks, you're mad and you're missing out, but watch this film first. You'll probably like it, it's confident in its approach, strictly realistic and contains a fantastic Peter Firth performance. But once you've done that, go back to Series 1 of Spooks and watch the whole thing. The film won't be so annoying to you that way.
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