5.7/10
31,847
85 user 152 critic

Regression (2015)

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A detective and a psychoanalyst uncover evidence of a satanic cult while investigating the rape of a young woman.
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3,707 ( 286)
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ethan Hawke ... Bruce Kenner
Emma Watson ... Angela Gray
David Thewlis ... Kenneth Raines
Lothaire Bluteau ... Reverend Beaumont
Dale Dickey ... Rose Gray
David Dencik ... John Gray
Devon Bostick ... Roy Gray
Aaron Ashmore ... George Nesbitt
Peter MacNeill ... Police Chief Cleveland
Adam Butcher ... Brody
Jacob Neayem ... Charlie
Aaron Abrams ... Farrell
Catherine Disher ... Kate
Danielle Bourgon ... Secretary at Police Station
Julian Richings ... Tom
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Storyline

A young girl is sexually abused by her father. Thus, begins the disturbing tale of a father and daughter torn apart, thrown into the center of a conspiracy that shocks the nation. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Fear always finds its victim.


Motion Picture Rating (MPAA)

Rated R for disturbing violent and sexual content, and for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Country:

Spain | Canada | USA

Language:

English

Release Date:

2 October 2015 (Spain) See more »

Also Known As:

Regressão See more »

Filming Locations:

Toronto, Ontario, Canada See more »

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Box Office

Opening Weekend:

€2,554,239 (Spain), 2 October 2015, Limited Release

Opening Weekend USA:

$33,915, 7 February 2016, Limited Release

Gross USA:

$54,734, 21 February 2016

Cumulative Worldwide Gross:

$17,616,062, 20 December 2015
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Emma Watson previously starred with David Thewlis in the Harry Potter franchise. See more »

Goofs

The poster of Polish Death/Black Metal Band Behemoth is from 2014 whereas the film is set in 1990. See more »

Quotes

[first lines]
John Gray: [driving in the rain] Please God, help me. Please God, help me.
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Connections

Featured in Projector: Macbeth/Regression (2015) See more »

Soundtracks

That's Where the Blues Begin
Written by Thomm Jutz and Peter Cronin
Music Library & SFX SL / Audio Network Ltd
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User Reviews

The film has a confused point of view
10 October 2015 | by aestivatorSee all my reviews

I knew nothing about the film before I watched it, nor about the events on which it is based. Perhaps because of this I became very confused about the film's point of view.

At base, this film asks the viewer to try to distinguish reality from fantasy during a police inquiry into accusations of satanic abuse. The problem with the fim-maker's style, for me, was that all the resources of cinema were used to illustrate not only the satanic abuse reported by witnesses but also other scenarios that had not been reported, so we saw constant scenes of abusers with spookily made-up faces and monks' cowls, and various horrific depictions of satanic abuse. Because cinema is a naturalistic medium, it was difficult to know what was fantasy and what was reality.

The film in some ways had a classic detective-story structure, with Ethan Hawke as the determined investigator. But it became clear that he was an unreliable first-person character after he began behaving irrationally, and that left me, as a viewer, with nothing to cling to as a source of viewpoint in the film. When it came to scenes in which the detective was absent, it was even more difficult to distinguish what the film-maker was depicting as real and what as fantasy. For example, when the victim's grandmother went out to her shed, she saw a normal cat, which turned into a devil cat. This had nothing to do with the investigation, yet its satanic imagery was of the same type as that provoked by the regression-therapy sessions. Perhaps some point was being made about the phenomenon of group hallucination or delusion, but the film repeatedly neglected its responsibility to give us a touchstone by which we could judge the accuracy of what we were seeing.

I think the film could have addressed the topic better with the excellent actors at its disposal by NOT depicting any of the satanic events. It would have been all the more chilling for that, adding to the tension of the inquiry. The most famous dramatisation of this sort of subject matter was Arthur Miller's "The Crucible". Miller creates nightmarish scenes of communal paranoia but without illustrating any of the events described by the witnesses. And this does not hinder the story's potency. (What could be more horrific than to see Miller's village girls in full accusatory mode, triggering the arrest of various pillars of the community on charges of devil worship?) "Regression", however, lacks the necessary moral distance from the events it depicts. Only in the last minute or two is sanity restored. I left the cinema feeling as if I had been cruelly led about by the nose to no satisfactory purpose.


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