A personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person contacts her via text message.
Philosophy professor Walter Zarrow is wounded during a mugging. In an effort to escape he rings buzzers indiscriminately, waking Sam, a middle aged father of two having an affair in the city. Sam reluctantly answers Zarrow's pleas, and Zarrow loses consciousness in his arms. Through an exploration of why these men, along with the mugger, and an addict named Joe, come together, we explore New York City. The experience of Zarrow, Sam, Joe and Zarrow's assailant ripple quickly out to include the connected lives of a housewife struggling with alcoholism, a stoner teen desperate to lose his virginity, a brilliant but failed writer fighting addiction, two parents confronting the prospect of terminal illness, and a brilliant grad student who wounds herself to feel alive.Written by
Performed by The Low Anthem
Courtesy of Nonesuch Records,
by arrangement with Warner Music Group Film and TV Licensing;
and [PIAS] Recordngs [UK] Limited t/a [PIAS] Cooperative
Written by Jocelyn Adams (as Jocelyn Jager Adams), Ben Knox Miller (as Benjamin Knox Miller), Jeff Prystowsky (as Jeffrey Carl Prystowsky)
Published by Chrysalis Music (ASCAP) / Art Boat Publishing c/o BMG Rights Management (US) LLC See more »
I found this film to be disappointingly predictable and a self- indulgent piece of "entertainment".It would have been more entertaining to watch paint drying - and about as easy to guess the next scene. The characters were all two-dimensional and lacking in any depth.
One detail that particularly irritated me was the lecturing manner - and content - of the supposed Columbia University philosophy professor. He addressed his class in a manner that no real lecturer would, speaking in over-written prose found only in bad novels - and poorer made-for-TV films. The subjects matter he seemed to cover was so eclectic and with such a tenuous connection to any school of philosophy that I wondered if the script writer was having a joke at the audience's - or academia's - expense.
The concept of one incident linking various disparate individuals, and thus illustrating aspects of life - or in this case New York city - is so over-used that it will now only succeed with a better than average script. Unfortunately, despite the reasonably capable cast, this was a forlorn exercise.
13 of 26 people found this review helpful.
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