In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
Eight years after the Joker's reign of anarchy, Batman, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
In 2029 the mutant population has shrunken significantly due to genetically modified plants designed to reduce mutant powers and the X-Men have disbanded. Logan, whose power to self-heal is dwindling, has surrendered himself to alcohol and now earns a living as a chauffeur. He takes care of the ailing old Professor X whom he keeps hidden away. One day, a female stranger asks Logan to drive a girl named Laura to the Canadian border. At first he refuses, but the Professor has been waiting for a long time for her to appear. Laura possesses an extraordinary fighting prowess and is in many ways like Wolverine. She is pursued by sinister figures working for a powerful corporation; this is because they made her, with Logan's DNA. A decrepit Logan is forced to ask himself if he can or even wants to put his remaining powers to good use. It would appear that in the near-future, the times in which they were able put the world to rights with razor sharp claws and telepathic powers are now over.
(At around one hour and fifty minutes) Logan waking up and finding himself in the children's hideout in North Dakota, and the children cutting his beard is an homage to Mad Max Beyond Thunderdome (1985), which Max, a hero in a post-apocalyptic land, is rescued by a tribe of children, and they cut his hair short. See more »
(at around 1h 15 mins) When Logan picks the Professor up in the Munsons' house Xavier is facing right but as he carries him up the stairs he is facing left. See more »
A worthy, respectable finale to a storied franchise
Marvel's 'X-Men' universe has come a long way since its debut on the silver screen back in 2000. 17 years later, audiences get to experience 'Logan,' the final chapter in the franchise as we know it.
In 'Logan,' we have a much darker, grittier story in which Logan/Wolverine (Hugh Jackman) is faced with helping a young mutant (Dafne Keen) escape the anti-mutant strongholds of Mexico and the USA to Canada. In this sense, the film should not be considered a traditional superhero story, but instead a violent drama. There is much more of an emphasis on character development and dialogue as opposed to special effects and cheesy one-liners, as we see how the physical and emotional wear-and-tear that Logan has experienced over the years has finally taken its toll on him.
In addition to Jackman and Keen, we get to see strong performances from Patrick Stewart reprising his role as the venerable Professor Charles Xavier and Boyd Holbrook as the bounty hunter Pierce. This core cast is enough of a foundation on which to build the rest of the film, and is a better way to create a more meaningful film compared with stretching screen time too thin in previous 'X-Men' offerings.
There are also a few themes that are explored through 'Logan,' including perseverance, sacrifice and faith, which elevates the impact that the film has on audiences. Through all of these, it's really the metamorphosis that Logan undergoes as an individual based on the challenges he confronts that really puts an accent mark on the film.
While it's bittersweet to see this franchise likely end, 'Logan' is a worthy, respectable finale that does enough to satisfy fans.
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