Lisa's life is a movie. Everything she experiences she captures on film. Recording every memory, every step, everyone she meets. As Martin's and Lisa's relationship fall apart, the exhibitionist Lucas makes an entrance in the view-finder.
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Lisa's life is a movie. Everything she experiences she captures on film - recording every memory, every step, every person she meets. Her boyfriend Martin has learned to cope with this behavior, but during their holiday in New York things start to get out of hand. The closer Martin tries to get, the more Lisa hides behind her camera. As Martin's and Lisa's relationship fall apart, the exhibitionist Lucas makes and entrance in Lisa's view-finder.Written by
I must be honest with this one. This is the best Swedish film of the decade. Other critics and my old peers at film studies will not agree with me and mention You, the Living (which is awesome), Let the Right One In (slightly overrated) or something like Sebbe (crap). But Remake is a masterpiece. While Ruben Östlund films peoples feet and complains that people do not watch his movies, Öhman and Gavatin creates a gut-punch of a movie.
Remake is a found footage movie without the horror. At times there are moments when the illusion is broken and it seems like the characters has adjusted the camera just to get a better shot or make a better edit. That's the only fault I can find with the film actually. The film is presented through Lisa's point of view. She is obsessed with documenting everything she does with a camera, even fights with boyfriends and sexual acts. It's as if she wants to record everything about life to be able to revisit those emotion like one would with a movie. She is returning to New York with her new boyfriend Martin, but when friction in their relationship turns up, she meets and starts to see the American Lucas (who talks like the Joker).
Really, I don't want to talk to much about the movie because I don't want to give away anything. I can just tell you to go see the movie as soon as possible. The acting performances of Henni, Hazlett and Wallström are the strongest I've seen in a Swedish film in years. What are you waiting for? Go see it now!
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