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Fred and Mick, two old friends, are on vacation in an elegant hotel at the foot of the Alps. Fred, a composer and conductor, is now retired. Mick, a movie director, is still working. They look with curiosity and tenderness on their children's confused lives, Mick's enthusiastic young writers, and the other hotel guests. While Mick scrambles to finish the screenplay for what he imagines will be his last important movie, Fred has no intention of resuming his musical career. But someone wants at all costs to hear him conduct again.Written by
Anonymous Love Revolver
* The parade of weird characters in the Alpine luxury resort where the entire film is set - from an obese football player with a tattoo of Karl Marx on his back to a masseuse with braces who declares she likes touching more than talking, and imitates dancing cartoon characters in her spare time.
* The way Jane Fonda's character is introduced - initially filmed from the back, then showing her smile in the reflection of a mirror, and finally facing the camera, radiating maximum diva charisma.
* The abundance of funny dialogue. Here's just one example: - 'Im great in bed'. - 'I know' - 'How do you know?' - 'Because you're my daughter'.
* The lush cinematography, making the film a feast for the eyes.
* The fact that this film is funny, dramatic and melancholic at the same time, and also surprising, entertaining, beautiful, philosophical and versatile.
* Michael Caine, at 82, playing one of the best parts of his career.
* The completely over-the-top video clip by Paloma Faith, which is integrated in the film as a dream sequence.
* The end of the dramatic conversation between Jane Fonda and Harvey Keitel, with both faces filmed sideways in close-up, on both sides of the screen, and finally Fonda's hand on Keitel's cheek.
* The overall sense of watching an extraordinary film.
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