When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
Col. Katherine Powell, a military officer in command of an operation to capture terrorists in Kenya, sees her mission escalate when a girl enters the kill zone triggering an international dispute over the implications of modern warfare.
A Las Vegas-based fighter pilot turned drone pilot fights the Taliban by remote control for 12 hours a day, then goes home to the suburbs and feuds with his wife and kids for the other 12. But the pilot is starting to question the mission. Is he creating more terrorists than he's killing? Is he fighting a war without end.Written by
Toronto International Film Festival
Bruce Greenwood's character tells the hanger full of new cadets that drone raids are different than first-person shooter video games. Bruce's voice can be heard in the first-person shooter video game, Call of Duty: Modern Warfare 3 (2011). See more »
The Air Combat Command patch worn on the flightsuits is not correct. The actual patch has the blue field on top and the red field on the bottom. Also, the sword on the actual patch is pointed downward. See more »
Eyes on the Kahili objective. 19:30 hours. Entering surveillance hour four. No sign of target... Non-combatant approaching... Two non-combatants.
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Good kill delivers a striking message with pinpoint accuracy. It deals with a disturbing side of war in all of its unabashed glory. The lead Ethan Hawke is excellent in his description of a man with two contrasting life, one or both of them might seem painfully surreal for him. Script is just as brash as it is refreshing, filled with military jargon and also complex questions. This is not an orthodox war movie, yet it venture farther than most.
Tom Egan (Ethan Hawke) is a drone pilot, fighting war from halfway across the globe. This seemingly non-dangerous job weighs on his mind as his relationships with his wife Molly (January Jones) suffers from the stress. The story pushes harder as the mission is gradually becoming more morally dubious and many lives are at stake. Acting is really solid, Hawke looks just like a seasoned veteran who's been drained by his service.
January Jones as his wife is mostly subtle, but she performs greatly on the more emotional scenes. It's not the normal melodramatic relationship that these two have, there's an effort to create functioning family, yet they are far too detached and distant to each other. Egan's colleagues are also excellent, especially Zoe Kravitz as Suarez, his younger co-pilot who exhibits rare virtue in the line of work and Bruce Greenwod as the commander who is as sympathetic as he is duty bound, who also delivers a mean speech.
Script is amazing, dialogues are powerfully engaging and thought provoking. It showcases suspense despite the pilots are not physically engaged in combat. The brash attitude, smart jab and fervent inquiries are presented elegantly to audiences. However, the constant switch between bird eye view and ordinary cinematography might be jarring and repetitive. While the everyday grind and heavy theme are meant to be exhausting, they can be excessively claustrophobic for the audiences.
Good Kill is not a conventional blockbuster action movie, yet it will generate profound contemplation for its emotionally taxing premise.
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