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Welcome to Marwen (2018)

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A victim of a brutal attack finds a unique and beautiful therapeutic outlet to help him through his recovery process.

Director:

Robert Zemeckis

Writers:

Robert Zemeckis (screenplay by), Caroline Thompson (screenplay by)
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Popularity
129 ( 25)

What Steve Carell Loved Most About Being a Doll

Steve Carell and the cast of Welcome to Marwen talk about being transformed into "way better-looking" versions of themselves, and share the secret of playing plastic perfectly.

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5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Steve Carell ... Mark Hogancamp / Cap'n Hogie
Falk Hentschel ... Captain Topf / Louis
Matt O'Leary ... Lieutenant Benz / Carl
Nikolai Witschl ... Rudolph / Rudy
Patrick Roccas ... Stefan / Stevie
Alexander Lowe ... Werner / Vern
Eiza González ... Carlala (as Eiza Gonzalez)
Leslie Zemeckis ... Suzette
Merritt Wever ... Roberta
Gwendoline Christie ... Anna
Stefanie von Pfetten ... Wendy
Janelle Monáe ... GI Julie
Leslie Mann ... Nicol
Neil Jackson ... Kurt / Major Meyer
Samantha Hum ... Therapy Tech
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Storyline

On April 8, 2000, aspiring artist Mark Hogancamp (Steve Carell) became a victim of a violent assault when five men beat him up and left him for dead. Following the attack, Mark was left with little to no memory of his previous life due to brain damage inflicted by his attackers. In a desperate attempt to regain his memories, Hogancamp constructs a miniature World War II village called Marwen in his yard to help in his recovery. Unfortunately, Mark's demons come back to haunt him when he's asked to testify against the five men that attacked him..

Plot Summary | Plot Synopsis

Taglines:

The Director of FORREST GUMP Invites You to a Most Unexpected Place See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of fantasy violence, some disturbing images, brief suggestive content, thematic material and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Japan | USA

Language:

English | German | French

Release Date:

21 December 2018 (USA) See more »

Also Known As:

The Women of Marwen See more »

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Box Office

Budget:

$39,000,000 (estimated)

Opening Weekend USA:

$2,366,560, 23 December 2018, Wide Release

Gross USA:

$10,763,520, 17 January 2019

Cumulative Worldwide Gross:

$12,463,520, 17 January 2019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS (DTS: X)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

With a budget of $40 million, it debuted with $2.4 million in its opening weekend, making it one of the biggest box office failures of 2018. See more »

Goofs

The Nazis speak broken German with heavy English accent. See more »

Quotes

Mark Hogancamp: I was beaten up because I was different, so I've built a place where I can heal.
See more »

Connections

References Death Becomes Her (1992) See more »

Soundtracks

ADDICTED TO LOVE
Written & Performed by Robert Palmer
Courtesy of Island Records
Under license from Universal Music Enterprises
See more »

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User Reviews

 
Makes You Want To Watch The Documentary It Was Based On Instead
21 December 2018 | by roblesar99See all my reviews

Before I saw WELCOME TO MARWEN, I saw a tweet calling it "Zemeckis' VERTIGO." Although I scoffed at the idea, after viewing it, I realized that it held some merit, with one of the female characters, played by Merritt Wever, eerily inhabiting a very similar role to that of Barbara Bel Geddes. There are some interesting ideas on display throughout the film that mirror themes found in VERTIGO, as both focus on men attempting to move past a traumatic experience. However, the men in both films elect to move past this trauma by shaping the females around them in their own desired image. It worked in VERTIGO, but 60 years removed from that film, such a premise seems tone-deaf to say the least. Furthermore, Zemeckis' latest film will no doubt serve as further evidence for the group of critics that peg him as a filmmaker primarily interested in the latest special effects rather than one primarily interested in telling a story. Zemeckis seems like an odd choice to helm this film, as he never opts for a subtle, tender approach to telling the story of Steve Carrell's Mark Hogancamp, who was assaulted by a group of white supremacists. Instead, Zemeckis opts to place the film's visual effects at the forefront, and electing to focus on shootouts and explosions rather than a more nuanced exploration of Hogancamp's fragile psychological state. That the film also revels in some more obvious instances of male "gaziness" when it shows some of the animated female doll figures topless is worthy of an eye-roll, to say the least.

That being said, I truly do think that Steve Carrell delivers a better performance here than most will give him credit for. When the script, written by Zemeckis and Caroline Thompson, isn't actively attempting to display the film's special effects (or having Carrell deliver some truly awful lines about the "essence of a woman"), Carrell does at least attempt to understand the struggles that his character's real-life counterpart underwent after the assault. The majority of the cast (even Leslie Mann, whose character unfortunately follows the manic pixie dream girl stereotype) also delivers some solid work, especially the aforementioned Wever. That being said, watching WELCOME TO MARWEN left me thinking that this was a story that didn't necessarily need to be made into a film, especially when a critically-acclaimed documentary about Hogancamp himself named MARWENCOL already exists.


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