The fact based story of a class of schoolchildren, teenagers, in a, from the look of it, mixed ethnic district of Paris, who's teacher decides to enter them in a competition to examine the ...
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At 17, Sonia almost left her family to go jihad. She was convinced that this was the only way for her and her family to go to heaven. She finally came back to reason. Unlike Mélanie, 16 ... See full summary »
Zachary is 20 years old. He is your typical rebellious teenager, he collects amorous conquests and school failures. Sarah is 18 years old. First of her class, fragile, she fills her ... See full summary »
Romain, 23, is the watchman of a small Paris hotel. He does not know it yet but he is about to become a novelist... Madeleine is six decades older than him. She is his grandmother. ... See full summary »
The fact based story of a class of schoolchildren, teenagers, in a, from the look of it, mixed ethnic district of Paris, who's teacher decides to enter them in a competition to examine the holocaust from the point of view of its impact on young people. It contains some very emotional scenes and chronicles the change in the opinions and interactions of a typical class of adolescents.Written by
I don't think this belongs to the league of cinema masterpieces, nevertheless I think it is still a decent movie, with its own dignity, worth seeing. I think that dismissing quickly a movie just because it's not based on a totally new concept is a bit unfair; if we were to allow only this kind of movies to be produced, we would go to the cinema once every year or two; movies, like books and other forms of storytelling, build on each other, they can look at the same theme from different angles and perspectives, still maintaining all their raison d'être. The most immediate, obvious link of the Les Heritiers is The Dead Poets Society, which was proposing a similar situational context (a teacher trying to motivate a group of disengaged students) but a very different socio-cultural one. I happened to watch Les Heritiers a few days after I saw American Honey, which on the contrary offers a different situational context, against a pretty similar socio-cultural background; I thought they all contribute to an interesting debate, one point of view about a lost, hopeless generation and the other one just opposite to that, offering a "yes, we can" message. Specifically, I think Les Heritiers has the merit of prosing a rather honest look on a rather sensitive subject like the coexistence of different cultures and religions in the French marginal society. The movie is able to do that avoiding any moral judgement or patronising position, using a realistic style and leveraging good acting by most of protagonists.
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