For over two and half years, Hardwell has been followed by videographer Robin Piree, the man behind Hardwell's stunning aftermovies and Q&A concepts. During that time Piree had been ... See full summary »
This documentary marks the tenth year anniversary of the great music festival known as Tomorrowland. Here you learn the impact of music festivals and what electronic dance music means to ... See full summary »
I'll Sleep When I'm Dead, directed by Justin Krook, is a heart-pumping yet heart-wrenching documentary about one of the most eminent DJs working today: Steve Aoki. In the lead-up to Aoki's ... See full summary »
Kygo has done it all and in seemingly no time. Hailing from Norway, he not only became the first artist to a billion streams, but he created a new genre altogether, one that is now a staple... See full summary »
Beginning in 1997 with a few thousand revelers in Los Angeles, the Electric Daisy Carnival has become the largest dance music event in North America. Known for its over the top displays of ... See full summary »
'PUT THE NEEDLE ON THE RECORD' is an award-winning documentary which explores the evolution of electronic music and the rise of the DJ in pop culture. Filmed in Miami during the hot and ... See full summary »
The Crystal Method
Even more than the previous movie 'I AM Hardwell - Living the dream' will let you experience the music. Starting with the 27-year-old Robbert van de Corput, working on new musical ideas in ... See full summary »
Unsubtle Record of Swedish House Mafia's Final World Tour
Anyone expecting subtlety or insight from Christian Larson's account of Swedish House Mafia's final world tour will be sadly disappointed.
This is a bold, brassy kaleidoscope, both sonic and visual, of the band in performance, augmented by some not-exactly-original insights on life on tour from the band members themselves. We learn about the rigors of moving endlessly from place to place, constructing and striking the elaborate sets, and the "difficulties" (if they can be described as such) experienced by the band in keeping the unwelcome attention of their legions of fans at bay.
This kind of material has been well-trodden in previous films such A HARD DAY'S NIGHT (1964) and DON'T LOOK BACK (1967). LEAVE THE WORLD BEHIND will appeal to fans of Swedish House Mafia but not to others unacquainted with their work.
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