Two Catholic schoolgirls Kat (Kiernan Shipka) and Rose (Lucy Boynton) get left behind at their boarding school over winter break as the other girls leave, where it's rumored that the nuns are satanists. Meanwhile, a disturbed mental patient Joan (Emma Roberts), an escapee, is picked up by a middleage couple (James Remar and Lauren Holly) who drive her on a determined trip to the same school, where the girls must face the supernatural and demonic possession.Written by
The length of Joan's haircut changes throughout the film. See more »
What did he tell you? Did he tell you about our daughter? When he told you about our daughter he said, Have, didn't he? "We Have a daughter". He told you, you remind him of her. He actually said that to you, didn't he? It's okay, poor thing... He tries to say that to everyone. Of course, I never see it. Of course it isn't true. But still sometimes I try. I saw it once. I was at the supermarket alone. And I was standing in the middle of a long aisle all by myself. And a girl came around the ...
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Written by Elvis Perkins
Mixed by Jesse Lauter
Performed by Elvis Perkins, Mitchell Robe, Danielle Aykroyd, Robert Caldwell, John Rosenthal, Otto Hauser, Paul Jasmin, Greg Wilk & Oz Perkins See more »
Much appreciated. Sophisticated and subtle. Great job in the sound department.
Those who have not witnessed Kiernan Shipka's talent in "Mad Men" will surely find here some convincing material to make up their minds. The other two main actresses were also remarkable, however for exclusively aesthetic reasons, I must add.
Concerning the plot, I believe it is important to emphasize its non linear nature : a key element to reconstruct the overall "Stimmung".
I must criticize the trailer, despite having been convinced by it to approach the movie in the first place; the allusions to "erotic charge" are deeply misleading and cast a negative influence on the viewers, distracting them from the main, yet hidden, theme of the movie : the Occult. I rarely experienced a more discrete and effectively symbolic handling of such a complicated and debated matter. The way the Occult's first appearance on the scene is connected to the principal plot twist is also deeply satisfying. The final scenes also need to be focused on : they both bring the missing pieces in the plot and offer an open, surprising end.
My only critic would regard the excessive abundance of implicit hermeticism : some traits of the story could and should have been properly expanded (Kat's parents, some more details about Rose, a more complete view of the boarding school, the true origins of Kat's "sickness", just to make a few examples).
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