A reality television crew, whose show features stories about drug addicts, finds that their 16-year-old junkie for their latest episode might actually not be fighting addiction, but a demonic force gripping her soul.
Searching for his identity, a young writer pledges to his dysfunctional family that he will commit suicide on his 25th birthday. As the fateful day approaches, he stumbles upon love and a ... See full summary »
Terri Lynn Harris,
Two best friends see their trip of a lifetime take a dark turn when one of them is struck by a mysterious affliction. Now, in a foreign land, they race to uncover the source before it consumes him completely.
An investigation into a government cover-up leads to a network of abandoned train tunnels deep beneath the heart of Sydney. As a journalist and her crew hunt for the story it quickly becomes clear the story is hunting them.
In the fall of 1976, a small psychology lab in Pennsylvania became the unwitting home to the only government-confirmed case of possession. The U.S. military assumed control of the lab under orders of national security and, soon after, implemented measures aimed at weaponizing the entity. The details of the inexplicable events that occurred are being made public after remaining classified for nearly forty years.Written by
With intriguing concept and clever style, it almost overcomes the genre familiarities, but ultimately the production isn't adequate enough to fully convey the suspense.
It presents an interesting direction for possession subgenre with authentic documentary flair. The film portrayal of titular institution goes beyond average found footage gimmick, its understanding of the presentation makes it as though audience is watching real documentary from science channel. However, parts of the film aren't as consistently polished and these issues stutter the pace and occasionally derail the tension it has built.
Dr. Henry West (William Mapother) runs a small lab to research individuals said to have paranormal abilities. After a few failed endeavors, a woman named Judith Winstead (Rya Kihlstedt) is admitted to his lab. He and his colleagues have seen anything and anything like her, and the tests progress so sinisterly that eventually military is involved. Characters are pretty convincing at their roles, the use of exclusive camera footages without first hand interaction create credible effect.
The Atticus Institute offers several unnerving thrills, although the production has few technical flaws. Half of the movie is witnesses' interviews, which sets up more psychological and scientific approach. At its best the film delivers timely bizarre occurrences that are effectively chilling. However, it doesn't pay off every time. These interviews can be tedious and predictable, especially since their testimonies alone aren't sufficient to produce tension.
At midway point it feels that characters are overly narrating, especially since the scenes they mention are only partially captured. The film also describes events with clips and still images, they are short and some even look like slideshows. While this enhances its pseudo-documentary feel, its production is shabby. Furthermore, there are fumbles on editing as well as audio clarity. These issues could've been just minor hiccups, yet they are persistent enough to hamper the movie.
The Atticus Institute has intriguing concepts, its clever style almost overcomes the genre familiarities, but ultimately the production isn't adequate enough to fully convey the suspense.
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